It is true —as we know— that Chillida wanted the piece to have imperfections, that is, not to be a rigid and cold geometry, but from there to the state of contemporary ruin it is in now, there is a complete abyss. "It is true" —as we know— "that Chillida wanted the piece to have imperfections, that is, not to be a rigid and cold geometry, but from there to the state of contemporary ruin it is in now, there is a complete abyss," reflects the art critic Fernando Castro Flórez. #LaSirenaVarada #EduardoChillida #EsculturaMadrid (translated)
¿Una obra de arte o una ruina contemporánea?
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