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The post said Brazil was holding the first round of its presidential election, with President Luiz Inacio Lula da Silva, 80, seeking another term. It said a second round, if needed, was scheduled for Oct. 25, and linked to a Kalshi market asking who would win. https://t.co/I6mZWwhMOD https://t.co/S2urmNptJc #Eleições2023 #Brasil #Política #BR (translated)

Nobel Prize winners will be announced in early October 2026, with significant financial rewards and ongoing debates about notable candidates, including speculation around the controversial figure of Donald Trump and his prospects for the Peace Prize. #NagrodaNobla #literatura #Sztokholm

🚨 Karl-Heinz Rummenigge: “My Ballon d’Or winner is Harry Kane”. “Harry scored a total of 73 goals for Bayern and England last season - only Lionel Messi was more successful in a single year this millennium. That is the benchmark”. “And strikers often win this award. I also https://t.co/0nKj6ceKOt #BallonDor #HarryKane #BayernMunich #DE #GB

⭐️🐸 Campanha presidencial de Lula utiliza “LO QUE LE PASÓ EM HAWAii”, faixa do AOTY winner “DeBÍ TiRAR MáS FOToS”, de Bad Bunny, em peça que destaca o orgulho e a soberania nacional. O perfil Mídia Ninja publicou que, segundo a campanha, a equipe do cantor porto-riquenho confirmou a autorização da música. #Lula2022 #BadBunny #Música

🚨🌕 Thomas Tuchel: “Harry Kane is my Ballon d’Or winner this year”. “After this season, yeah. 70 plus goals. Three titles with Bayern Munich. Semifinals of the World Cup and Champions League, yeah”, told ITV Sport. https://t.co/XDrBdeEjmk #HarryKane #BallondOr #BayernMunich #DE #GB

When people talk about AI companies money flow they miss two fundamental things: 1. It is a winner takes all business. With ASI you take pharma, chips, ... 2. In the long term the idea we have of money will disappear. #AI #Finance #Innovation #Nospecificcountrycodesarementionedinthetweet.

🚨🇸🇳 OFFICIAL: Edouard Mendy retires from international football. The goalkeeper, nominated for Yashin Trophy as best GK 2026. He’s leaving after being AFCON winner with Senegal and legend for the country. https://t.co/ujfmUM6ew5 #EdouardMendy #Senegal #AFCON #SN

Iga Świątek na gorąco po meczu z Marie Bouzkovą w rozmowie z Pawłem Kuwikiem dla Eurosportu 🗣️ - Dwa wygrane tie-breaki, odwrócenie drugiego seta z 0:3 i obrona trzech piłek setowych. Dzisiaj to był najlepszy dowód, ile znaczy głowa w sporcie. - To prawda. Bardzo wymagający mecz, zwłaszcza z tymi warunkami, z wiatrem, który non-stop kręci. W sumie przez cały turniej, ale wciąż to nie jest łatwa rzecz do dostosowania się. Bez dwóch zdań Marie zagrała super, tak mi się wydaje przynajmniej. Odgrywała bardzo dużo piłek. Ja czasami szłam po winnera, czasami wydawało mi się, że mogę, ale popełniałam błędy, bo te piłki wcale nie były takie proste. Dużo było takich długich piłek, nawet jak ona była w defensywie. Cieszę się, że w tych odpowiednich momentach, w tie-breakach, byłam super solidna i jeszcze podwyższyłam poziom. Chociaż w trakcie seta próbowałam czasami, ale w tym krytycznym momencie, właśnie w tie-breaku mi się to udało. - Żeby stworzyć super widowisko potrzebna jest też rywalka i ty przed chwilą o tym powiedziałaś. Też wielki szacunek dla niej, bo broniła czasem piłki, wydawałoby się nie do wyciągnięcia. Do tej pory przed tym meczem grałyście trzy razy. W tych spotkaniach straciłaś 13 gemów. Dzisiaj 12 w jednym meczu. To też pokazuje, jak trudne było dla Ciebie to spotkanie. - Jeśli oceniamy przez pryzmat poprzednich wyników, to tu jest w pewnym sensie dowód na to, że nie można tak. Każdy mecz to jest zupełnie nowa historia. Wszyscy się rozwijają. Na pewno to było wymagające. Cieszę się, że w pierwszym takim meczu, który był trudny, jeśli chodzi o wynik, z tym stresem, który zawsze towarzyszy momentom typu 4:5 albo tie-break, na spokojnie dałam radę i byłam w stanie grać swoją grę. 📸 Eurosport | #USOpen | #zkortu #USOpen #IgaŚwiątek #tenis

From Yale University to Foggia: World Staging Premiere of Umberto Giordano's “Marina” at Foggia's Teatro Umberto Giordano SOURCE: https://www.linkedin.com/pulse/from-yale-university-foggia-world-premi%C3%A8re-scenic-sardella-ph-d--id9de/ SOURCE: https://www.foggiareporter.it/dalla-yale-university-a-foggia-la-prima-mondiale-in-forma-scenica-di-marina-al-teatro-giordano.html (With heartfelt thanks to the distinguished journalist, Dr Christiana Lenoci…) From the Frederick R. Koch Collection of the Beinecke Rare Book and Manuscript Library at Yale University to Foggia. Such is the extraordinary journey of Marina, Umberto Giordano’s first opera, which—after 138 years of oblivion—received its World Première in scenic form on 5 June 2026 at the Umberto Giordano Theatre in Foggia, inaugurating the GIO Festival – Giordano International Opera Festival. This remarkable rediscovery is recalled by Luciano Magaldi Sardella, Contributing Review of Books Critic at the London School of Economics (LSE). The project, conceived by Gianna Fratta and the artistic direction of the GIO Festival, seeks to transform Foggia, the Tavoliere plain, the Monti Dauni and the Gargano into a widespread stage dedicated to the city’s native composer, following the model of the great festivals devoted to Verdi, Rossini and Bellini. The vanished score At the age of twenty‑one, Umberto Giordano entered the Sonzogno Competition in Milan with Marina, a one‑act melodrama. Among seventy‑two competitors, he ranked within the top twelve. The prize was awarded to Pietro Mascagni’s Cavalleria rusticana. Giordano received an honourable mention, withdrew the score, and recycled part of its music in his later Mala Vita (1892). After his death in 1948, the manuscript disappeared and—entirely legally—ended up catalogued and forgotten within Yale’s collection. It was brought back to light by the musicologist and conductor Andreas Gies who, while studying the works of Leoncavallo, identified the autograph score in Yale’s online catalogue. Together with his colleague from San Severo, Emanuele d’Angelo, Gies prepared a rigorous critical edition that restored the work’s readability. Following its absolute première in concert form at the Teatro Dal Verme in Milan in February 2026—the very theatre that witnessed the early steps of Puccini and Leoncavallo—recorded live by Decca Classics with Eleonora Buratto in the title role and Freddie De Tommaso as Giorgio, praised by Gramophone and The Times of London, Marina finally returned home. Foggia reclaims it On 5 June 2026, the Umberto Giordano Theatre hosted the World Première in scenic form. The production was directed by Giandomenico Vaccari, who transposed the action to the era of the First World War; conducted by Matteo Dal Maso, winner of the Donatella Flick LSO Conducting Competition; and featured Valeria Sepe as Marina. A historic event for a city that lends its name to both its Theatre and its Conservatoire, yet until now had been the only among the cities of Italy’s great opera composers without a festival entirely dedicated to its own. The GIO Festival, from 5 to 20 June, unfolded across sixteen days and more than twenty events in seven municipalities of the Capitanata—Foggia, Manfredonia, Peschici, Vieste, Biccari, Roseto Valfortore and Torremaggiore—uniting opera, jazz, cinema and dance. The finale: opera as urban intervention On the evening of 20 June 2026, thirteen lorries arrived in Piazza Cavour in Foggia from Milan. They carried the entire production apparatus of Teatro alla Scala. The square was transformed into an open‑air theatre for Giordano’s Andrea Chénier, conducted by Gianna Fratta and featuring Maria Agresta and Jorge de León, before thousands of citizens. The opera of a revolutionary, erupting into the summer air of the city where Giordano was born. A gesture of proximity theatre demonstrating what a manuscript can achieve: turning a forgotten archive into a driver of economic and touristic development for the region, with Confcommercio’s puzzle‑based itineraries, Giordano‑themed menus, and QR codes featuring a digital avatar of the composer. Marina was lost for 138 years. To bring it back, six months, a library card, and a festival were enough.

🩵🇦🇷 Maresca: “Enzo Fernández… we’ve signed a winner”. “Enzo has a winning mentality, he knows how to win - World Cup, Club World Cup. And the main thing is that he's a winner!”. “I can promise you in the last four or five days, four or five players were asking if he's coming https://t.co/zp4FyB1Zup #EnzoFernández #Futbol #Ganador #AR

🔴👋🏼 Luis Enrique: “Barcola grew enormously in Paris, but he also helped the team grow enormously”. “He wanted more playing time than I could guarantee him”. “In the end, I think everyone is a winner with that transfer. I truly wish him all the best”. https://t.co/aWhKCxk7z7 #LuisEnrique #Barcola #TransferNews #FR