Search

Asra Nomani, senior editor of investigations at Fox News Digital, said she had identified 54 organizations behind France’s escalating protests, including communist parties, revolutionary socialist groups, labor unions, Palestine-solidarity organizations and international media. #FranceProtests #SocialJustice #Activism #FR #PS

“STANFORD SOCIAL INNOVATION REVIEW (INSTAGRAM)” — “THE SIX-SEAT REVOLUTION: A THEATRE DIRECTOR (FRANCESCO GRAVINO) TRANSFORMED AN ABANDONED NEWSSTAND INTO A RADICALLY NEW THEATRICAL EXPERIENCE” by LUCIANO MAGALDI SARDELLA https://ssir.org/bios/luciano-magaldi-sardella SOURCE: https://www.instagram.com/p/Deor7xKlwNH/ In the southern Italian town of San Severo, a rusted iron newsstand has been transformed into the world’s smallest theater and a replicable model of creative urban regeneration.⁠ ⁠In SSIR’s fall issue, Luciano Magaldi Sardella describes how the six-seat theater is a countermeasure to the digital and demographic forces hollowing out parts of cities everywhere. ⁠ ⁠The Teatro Edicola (“Newsstand Theater”) is “not primarily a statement about smallness for its own sake, but a hypothesis about proximity, intimacy, and access as drivers of cultural participation. … The experience is, by its very structure, relational rather than transactional (Francesco Gravino).”

Press Briefs described a rally organized on October 17 as massive, but marked by violence. The report stated that the Ministry of the Interior counted 550,000 demonstrators, compared to up to 800,000 according to the organizers, and that intelligence services had underestimated the size of the gathering by five to eight times. It compared the official figure to the 282,710 participants recorded during the record of the Yellow Vests on November 17, 2018. The report mentioned looting and damage in Paris, Lyon, and Marseille, as well as clashes near the Élysée. It also reported that a 17-year-old girl lost an eye in Mulhouse, where an investigation by the IGPN was opened, and that a 17-year-old boy had his hand severed in Saint-Étienne. In Paris, according to Press Briefs, a video showed a person on the ground being beaten by more than twenty police officers, while a protester died on Boulevard Magenta; the prefecture mentioned a cardiac arrest. Press Briefs criticized the media coverage of the rally and relayed several political statements. The report noted that Marion Maréchal Le Pen refused to distinguish between the vandals and peaceful demonstrators, that Éric Ciotti called the unrest an "intifada," and that François-Xavier Bellamy called for the imprisonment of Philippe Poutou. It also highlighted comments from Prisca Thévenot about Jean-Luc Mélenchon and his remarks about Sébastien Lecornu, who called on the French to choose their side between the law enforcement and the Republic. The report further indicated that the mayor of Marseille, Benoît Payan, denied the figure of 30,000 looters, and that an AI-generated image, presented as showing an elderly couple being robbed in Paris, had garnered nearly six million views on X. Finally, it reported that Laurent Nuñez had submitted his resignation to Emmanuel Macron, who had refused it. #France #Mobilisation #Violences (translated)

RADIO ARC 101:“EDICOLE, “RAZZE IN ESTINZIONE” COME I BAR: SOLDI PERSI E SPERANZE DA STANFORD” by NANDO SILVESTRI SOURCE: https://radioarc.it/edicole-razze-in-estinzione-come-i-bar-soldi-persi-e-speranze-da-stanford/ Le edicole sono un altro scrigno di umanità e conoscenza per molti versi simili ai bar, almeno per quanto concerne l’infausto epilogo che riguarda molte di esse. L’odore di carta stampata, di cartoncini colorati, copertine variopinte, buste a sorpresa e cellophane, era una melassa olfattiva che un tempo inebriava grandi e piccini e rappresentava, al contempo un’ ambita meta di passeggiate e pause giornaliere. Passare per l’edicola significava attingere alla conoscenza, allo svago, alla cultura, alla fantasia e alla creatività. Tutte prerogative perse a causa dei surrogati informi e amorfi diffusi dal web. E’ questo il motivo principale della chiusura cunulata e ricorrente di moltissime edicole italiane: in economia si parla di comparto a caduta della domanda. Ma non chiude solo un’edicola, chiude un pezzo di economia locale e nazionale. Da 35000 edicole nel 2005 a circa 20000 nel 2024: -43%. Con loro se ne va un fatturato diretto di oltre 400 milioni l’anno, ma il vero buco è l’indotto che non si calcola mai. Ogni edicola media in un paese generava distribuzione per 15000€/anno di margini per distributori locali, corrieri, tipografie. Inoltre, il cliente che comprava il giornale prendeva il caffè, il biglietto del pullman, la schedina. Write on Medium Si deve pensare che senza edicola, il cinema di paese perde il suo unico punto promo fisico, senza parlare delle perdite in materia di pubblicità. Quando chiude, non perde solo l’edicolante. Perde il bar, perde l’autista, perde il tipografo. In Irpinia negli ultimi 5 anni Avellino ha perso 6 edicole, Ariano Irpino 3, Sant’Angelo dei Lombardi 2. La perdita totale in Irpinia ammonta a circa il 22% di punti vendita. Tutto ciò significa che molte delle chiusure succitate hanno sottratto ai bar irpini diverse decine di clienti danneggiando lavoratori, distributori e fornitori. Sono posti di lavoro che non fanno notizia, ma esistono. Un altro duro colpo inferto all’economia locale e nazionale in nome di un finto progresso che favorisce quasi sempre gli affari dei faccendieri e dei soliti noti. Tuttavia, ciò che accade in Puglia, a pochi chilometri dall’Irpinia, apre scenari di rinnovamento basati proprio sulla riconversione delle edicole dismesse. Si tratta di prospettive talmente uniche ed innovative da aver suscitato l’interesse di tutto il mondo, in special modo dell’Università di Stanford. Si tratta di notizie di enorme portata che pochi notiziari hanno divulgato in nome di una perenne prelazione delle tecnologie sprezzanti di buonsenso, tradizioni e arte. A San Severo (Foggia), a 40 km dall’Alta Irpinia un’edicola abbandonata da 6 anni in via Matteo Tondi è diventata il 27 marzo 2026 il Teatro-Edicola Foyer’97: 6 sedie, 4mq, idea di Francesco Gavino. Gli apprezzati spettacoli di 10/15 minuti hanno incuriosito l’università di Stanford. La sua rivista accademica Stanford Social Innovation Review (SSIR), ha scelto il Teatro Edicola di San Severo come caso di studio internazionale con il reportage “The Six-Seat Revolution”. Perché Stanford ci guarda? Perché ha capito che quei 4 mq possono tornare a generare indotto. Difatti, 60 spettatori in un pomeriggio possono diventare 60 caffè al bar vicino. Con un biglietto simbolico di 5€ si parla di micro economia culturale. Senza contare l’indotto di turisti e giornalisti che arrivano e frequentano B&B e ristoranti. È il modello che serve all’Irpinia: non lasciare il buco, ma riconvertirlo virtuosamente. Ogni edicola chiusa può diventare info-point, micro-cine, box servizi. Altrimenti continuiamo a contare solo le saracinesche abbassate, senza contare i soldi che non girano più.

RADIO ARC 101:“NEWSSTANDS, ‘ENDANGERED SPECIES’ LIKE CAFÉS: MONEY LOST AND HOPES FROM STANFORD” by NANDO SILVESTRI SOURCE: https://radioarc.it/edicole-razze-in-estinzione-come-i-bar-soldi-persi-e-speranze-da-stanford/ Newsstands are another repository of humanity and knowledge, in many respects similar to cafés, at least as far as the unfortunate fate that has befallen many of them is concerned. The smell of printed paper, coloured card, variegated covers, surprise packets and cellophane was an olfactory molasses that once intoxicated young and old alike and represented, at the same time, a sought-after destination for daily walks and pauses. Stopping by the newsstand meant drawing upon knowledge, entertainment, culture, imagination and creativity. All prerogatives lost on account of the shapeless and amorphous surrogates disseminated by the web. This is the principal reason for the cumulative and recurring closure of a great many Italian newsstands: in economics, one speaks of a sector in demand collapse. But it is not merely a newsstand that closes; a piece of the local and national economy closes with it. From 35,000 newsstands in 2005 to about 20,000 in 2024: -43%. With them goes direct turnover of over €400 million per year, but the real hole is the indirect economy that is never calculated. Each average newsstand in a small town generated distribution worth €15,000 per year in margins for local distributors, couriers, and printers. Moreover, the customer who bought the newspaper would have a coffee, buy a bus ticket, place a bet. Download the Medium App One must consider that without a newsstand, the village cinema loses its only physical promotional outlet, not to mention the losses in terms of advertising. When it closes, it is not only the newsagent who loses. The café loses, the driver loses, the printer loses. In Irpinia, over the last five years, Avellino has lost six newsstands, Ariano Irpino three, Sant’Angelo dei Lombardi two. The total loss in Irpinia amounts to about 22% of outlets. All this means that many of the closures mentioned above have deprived Irpinian cafés of several dozen customers, harming workers, distributors and suppliers. These are jobs that do not make the news, but they exist. Another hard blow inflicted upon the local and national economy in the name of a false progress that almost always favours the business of fixers and the usual suspects. However, what is happening in Puglia, a few kilometres from Irpinia, opens up scenarios of renewal based precisely upon the reconversion of disused newsstands. These are prospects so unique and innovative as to have aroused interest worldwide, especially at Stanford University. This is news of enormous significance that few news programmes have disseminated, in the name of a perennial pre-emption by technologies contemptuous of common sense, tradition and art. In San Severo, 40 km from Upper Irpinia, a newsstand abandoned for six years in Via Matteo Tondi became, on 27 March 2026, the Teatro-Edicola Foyer’97: six chairs, four square metres, an idea by Francesco Gavino. The well-received 10- to 15-minute shows have piqued the curiosity of Stanford University. Its academic journal, the Stanford Social Innovation Review [SSIR], has chosen the Teatro Edicola in San Severo as an international case study with the reportage “The Six-Seat Revolution”. Why is Stanford watching us? Because it has realised that those four square metres can once again generate indirect economic activity. Indeed, 60 spectators in an afternoon can become 60 coffees at the neighbouring café. With a symbolic ticket price of €5, we are talking about a cultural micro-economy. Not to mention the indirect income from tourists and journalists who arrive and frequent B&Bs and restaurants. It is the model Irpinia needs: not to leave the void, but to reconvert it virtuously. Every closed newsstand can become an information point, a micro-cinema, a service hub. Otherwise we shall continue to count only the lowered shutters, without counting the money that no longer circulates.

Stefanolix accused Deutschlandfunk of historical amnesia. The main correspondent for France has placed current looting and acts of violence in the tradition of the Revolution of 1789. The affected individuals are often small business owners and primarily taxpayers who are not oppressors, he wrote. #Geschichte #Frankreich #Medienkritik (translated)

In light of the Gen Z Revolution European Protest gathering on November 20, intelligence warns of the risk of anarchist infiltrations among young people and the possibility of violence, while the Italian government prepares to respond with security measures following recent clashes in Milan. #GenZRevolution #ScontriMilano #ProtesteGiovanili (translated)

The author claimed that the riots resulted from an alliance between the revolutionary far left and people he referred to disparagingly. He wrote that violent far left has existed for two centuries and that it now manifests alongside these people, adding that the images testify to this. He finally called on the state to restore a situation that he did not specify in the text. (translated)

The documentary filmmaker Mina Akbari, awarded at the Middle East Now festival for her film Women of Revolution, highlights the crucial role of Iranian women as forces of change and describes the difficult situation in Iran, marked by a lack of hope, inflation, and repression, while the threat of a war with Trump's United States looms over the country. #Iran #DonneDiRevoluzione #ProtesteIraniane (translated)

AlertesInfos reported that Édouard Philippe believed that revolutions were led by a small, highly determined and well-organized group, while many others followed the movement or were manipulated, according to BFMTV. https://t.co/ZS7OyAuQGu #Révolution #Politique #ÉdouardPhilippe (translated)

Little Think Tank estimated that Bruno Pomart's remarks were perfectly audible and that the expression "revolutionaries of Allah" had been used appropriately. He added that claiming that the meaning and interpretation did not correspond to the words spoken was a denial that was hard to justify, and called for no longer treating the public as naive. https://t.co/X78no3tXAL #Révolution #Public #Interprétation (translated)