Search

This is a quick analysis, and data will undoubtedly emerge, but it seems certain, based on today's evidence, that a large part of the activity of pro-Trump and pro-AfD bots depends directly on Russian data centers," emphasized Timothy Snyder, a former history professor at Yale who exiled himself in Canada after Donald Trump's return to the White House. #Yandex #Ucraina #boți (translated)

UP MAGAZINE NEW YORK CITY: “FROM YALE UNIVERSITY TO FOGGIA: GIORDANO’S MARINA HITS THE WORLD STAGE AT GIO FESTIVAL” SOURCE: SOURCE: https://upmag.com/gio-festival/ FOGGIA (FG) — Smarrita per 138 anni alla Beinecke Library di Yale, Marina (1888) di Umberto Giordano, presentata nel 1888 al concorso Sonzogno e ritirata, è tornata a vivere grazie alla ricostruzione di Andreas Gies ed Emanuele d’Angelo. Dopo il concerto al Dal Verme di Milano nel febbraio 2026 inciso da Decca, ha avuto la scenica il 5 giugno al Teatro Giordano di Foggia, inaugurando il GIO Festival. Sedici giorni, sette comuni della Capitanata, venti eventi tra opera, jazz e danza, chiusi il 20 giugno in Piazza Cavour con l’Andrea Chénier della Scala: l’opera come intervento urbano che ridisegna identità e futuro cittadino.

This is a quick analysis and, undoubtedly, data will emerge, but it seems certain, based on today's evidence, that a large part of the activity of pro-Trump and pro-AfD bots is directly dependent on Russian data centers. "This is a quick analysis and, undoubtedly, data will emerge, but it seems certain, based on today's evidence, that a large part of the activity of pro-Trump and pro-AfD bots is directly dependent on Russian data centers," emphasized Timothy Snyder, a former history professor at Yale who exiled himself in Canada after Donald Trump's return to the White House. #Ucraina #DateRusești #BoțiSocialMedia (translated)

UP MAGAZINE NEW YORK CITY :”FROM YALE UNIVERSITY TO FOGGIA: GIORDANO’S MARINA HITS THE WORLD STAGE AT GIO FESTIVAL” SOURCE: https://upmag.com/gio-festival/ FOGGIA (FG) — Lost for 138 years in Yale’s Beinecke Library, Marina by Umberto Giordano — entered for the 1888 Sonzogno Competition and subsequently withdrawn — has been brought back to life thanks to the critical reconstruction by Andreas Gies and Emanuele d’Angelo. Following the concert at the Dal Verme in Milan in February 2026, recorded live by Decca, it received its staged premiere on 5 June at the Teatro Giordano in Foggia, inaugurating the GIO Festival. Sixteen days, seven municipalities of the Capitanata, twenty events spanning opera, jazz, and dance, concluding on 20 June in Piazza Cavour with La Scala’s Andrea Chénier: opera as urban intervention reshaping civic identity and future.

UP MAGAZINE NEW YORK CITY :”FROM YALE UNIVERSITY TO FOGGIA: GIORDANO’S MARINA HITS THE WORLD STAGE AT GIO FESTIVAL” SOURCE: https://upmag.com/gio-festival/ FOGGIA (FG) — Lost for 138 years in Yale’s Beinecke Library, Marina by Umberto Giordano — entered for the 1888 Sonzogno Competition and subsequently withdrawn — has been brought back to life thanks to the critical reconstruction by Andreas Gies and Emanuele d’Angelo. Following the concert at the Dal Verme in Milan in February 2026, recorded live by Decca, it received its staged premiere on 5 June at the Teatro Giordano in Foggia, inaugurating the GIO Festival. Sixteen days, seven municipalities of the Capitanata, twenty events spanning opera, jazz, and dance, concluding on 20 June in Piazza Cavour with La Scala’s Andrea Chénier: opera as urban intervention reshaping civic identity and future.

Researchers from Yale University discovered evidence of three unknown Assyrian kings who were deliberately omitted from the Assyrian King List, which suggests that the political intrigues in the ancient Assyrian empire were more complex than previously documented. #Asiria #arqueología #historia (translated)

"Frankly, it could extend beyond the current administration, and who knows if the next one will have the same eagerness to execute sentences," says Eugene R. Fidell, a visiting professor at Yale Law School and an expert in military law. #EjecuciónPública #FortHood #NidalMalikHasan (translated)

"The live execution transfer belongs to the Middle Ages. As a society, we have outgrown that, or at least I thought so until today." Eugene R. Fidell, a visiting lecturer at Yale Law School, said to the BBC that it is "truly an unfortunate decision." #pogubljenje #smrtnaKazna #FortHood (translated)

"To be honest, the whole process could survive the current administration. And who knows if the next one will have the same penchant for executions," said AP Eugene R. Fidell, a visiting lecturer at Yale Law School and an expert on military law. #poprava #vojenskýzločin #trestsmrti (translated)

Ninth House Trilogy #3 - Dead Beat by Leigh Bardugo Trilogy: Ninth House / Hell Bent / Dead Beat Hell is empty and all the devils are here… Alex Stern made it to hell and back more than once, but this time she left the door open behind her. Demons are creeping through the streets of New Haven and the Yale campus, feeding on the souls of the living, terrifying the dead. Alex and her allies can hunt them, but it’s only a matter of time before the gates to the underworld open and they face a war they cannot win. To stop it, they’ll have to reach deep into the secrets of Yale and its societies, and discover the truth hidden in Alex’s own blood. While she struggles to hold onto the dream of a future Yale once offered, Alex must contend with the machinations of a corrupt Lethe Board and a deadly vampire with his own connection to the societies. But for the first time in her life, she won’t have to face the fight alone. Dawes, Turner, Mercy, and even Tripp will have a role to play, none more so than Alex’s mentor Darlington, the golden boy who lived so long in her head, now back in the flesh and cursed with dangerous powers of his own. Hell itself is stalking the delegates of Lethe House, and they’re all about to learn that demons don’t play by human rules.

Uit een studie van de Amerikaanse universiteit @Yale blijkt dat de @nytimes gekleurd heeft bericht over de Gaza-oorlog. Verliezen aan Israelische kant werden systematisch weggelaten uit de artikelen, evenals geweld van Palestijnse zijde. https://t.co/VIrZLkDZbz #GazaOorlog #Journaille #Nieuws

Nell'intervista al fondatore del Digital Ethics Center di Yale, Floridi mette in guardia contro la disinformazione sull'AI e sottolinea che il vero pericolo per il futuro della società è l'oligopolio di poche aziende private che controllano risorse strategiche. #AI #DigitalEthics #Oligopolio

"GIO FESTIVAL (FOGGIA)" CONQUERS HOLLYWOOD AND ENTERS THE RACE FOR THE “OPERA OSCARS” (BEST RECORDING OF MONTH FOR GRAMOPHONE UK) SOURCE: https://www.linkedin.com/pulse/gio-festival-foggia-conquers-hollywood-enters-race-uk-sardella-ph-d--tlaee/ SOURCE 1: https://hollywoodbeatmagazine.com/2026/09/03/giordanos-marina-journey-nominated-for-international-opera-awards/ SOURCE 2: https://www.instagram.com/p/DcWc0dfjBr4/ There comes a moment in the cultural life of a nation when tradition ceases to be mere memory and once again becomes an event. Such is what is now unfolding with Marina by Umberto Giordano: the long‑lost opera, newly reborn through the “GIO Festival” led by Dino De Palma and Gianna Fratta, and today officially nominated for the “International Opera Awards”, the so‑called “Opera Oscars” that each year celebrate the world’s finest achievements in musical theatre. The announcement — reported by the prestigious Californian magazine Hollywood Beat Magazine — marks a historic turning point: a work that remained in obscurity for more than a century now ascends to the international stage, projecting Italian creativity into the very heart of the global cultural industry. It is not merely a recognition; it is a signal. The Teatro Umberto Giordano, the entire organisational engine of the “GIO Festival”, together with all public and private institutions involved, demonstrates once again that when it chooses to honour its treasures, it still has the power to astonish the world. Marina is not simply a rediscovered opera: it is a journey that begins with the archival papers of the “Frederick R. Koch Collection” at Yale University’s “Beinecke Rare Book and Manuscript Library”, passes through the passion of musicologists such as Andreas Gies, ignites in the production of the “GIO Festival”, and — after attracting the attention of “Broadway World” with its six million monthly global readers — now reaches Hollywood, where the international press celebrates its dramatic potency, its luminous vocal writing, and its striking modernity. In an operatic landscape often dominated by the great repertory titles, the nomination of “Marina (1888)” shows that a work can still be rediscovered, reinvented, relaunched. It can speak to the present — and it can do so with the voice of Foggia and of the people of Foggia across the world. For those who cherish culture, music, and history, this is a moment to remember. For those who believe in the value of research and dissemination, it is a victory to celebrate. For those who live opera as a mission, it is an epoch‑making triumph. And now, with its nomination for the International Opera Awards — the global “Opera Oscars” — the journey of Marina and of Umberto Giordano continues. Towards the world. Towards the future. Towards a new chapter in the great Giordanian tradition. At long last, we may say: Welcome back, Umberto!

“MARINA” DAL “GIO FESTIVAL (FOGGIA)" CONQUISTA HOLLYWOOD, SI CANDIDA AGLI OSCAR DELLA LIRICA (MIGLIOR REGISTRAZIONE PER GRAMOPHONE UK) SOURCE: https://www.linkedin.com/pulse/marina-dal-gio-festival-foggia-conquista-hollywood-si-sardella-ph-d--4fjve/ SOURCE 1: https://hollywoodbeatmagazine.com/.../giordanos-marina.../ SOURCE 2: https://www.instagram.com/p/DcWc0dfjBr4/ C’è un momento, nella vita culturale di un Paese, in cui la tradizione smette di essere memoria e torna ad essere avvenimento. È ciò che sta accadendo con “Marina” di Umberto Giordano, l’opera perduta e finalmente rinata grazie al GIO Festival di Dino De Palma ,e Gianna Fratta, oggi ufficialmente candidata agli “International Opera Awards”, gli “Oscar della lirica” che ogni anno celebrano le eccellenze mondiali del teatro musicale. La notizia, rilanciata dalla prestigiosa rivista californiana “Hollywood Beat Magazine”, segna un passaggio storico: un titolo rimasto nell’ombra per oltre un secolo conquista la ribalta internazionale, proiettando la creatività italiana nel cuore dell’industria culturale globale. Non è solo un riconoscimento ma un segnale: il Teatro Umberto Giordano, tutta la macchina organizzativa del GIO Festival assieme a tutti gli altri enti pubblici e privati coinvolti, quando decide di valorizzare i suoi tesori, sa ancora stupire il mondo. “Marina” non è soltanto un’opera ritrovata ma un viaggio che parte dalle carte d’archivio della collezione “Frederick R. Koch” della “Beinecke Rare Book and Manuscript Library” della Yale University, attraversa la passione dei musicologi come Andreas Gies, si accende nella produzione del GIO Festival e, dopo aver attirato l’attenzione di “Broadway World” con i suoi 6 milioni divisite mondiali mensili, approda ora ad Hollywood, dove la critica internazionale ne celebra la forza drammatica, la scrittura vocale luminosa, la modernità sorprendente. In un panorama lirico spesso dominato dai grandi titoli di repertorio, la candidatura di “Marina” può ancora essere scoperta, reinventata, rilanciata. Può parlare al presente, e può farlo con voce di Foggia e dei foggianoi nel mondo. Per chi ama la cultura, la musica, la storia, questo è un momento da ricordare! Per chi crede nel valore della ricerca e della divulgazione, è una vittoria da celebrare! Per chi vive la lirica come missione, è un trionfo epocale! E ora, con la candidatura agli International Opera Awards, gli “Oscar mondiali della lirica”, il viaggio di “Marina” e di Umberto Giordano continua. Verso il mondo. Verso il futuro. Verso un nuovo capitolo della grande tradizione giordaniana. Finalmente possiamo dire: Bentornato, Umberto !!!