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Article kinda dances around it, but the important thing to realize is that the hardcore Trump fans are not disillusioned because they are good people realizing Trump fooled them, but because the Epstein story dovetails with the anti-semitic conspiracy theory that is embedded deep in their ideology

The Community of Madrid reports an intimidating corridor during the pro-Palestinian protests against the Israeli company Batsheva Dance Company at the Canal Theaters, accusing the Government of allowing situations of verbal aggression towards the attendees of the event. #BoicotCultural #BDS #ProtestasMadrid (translated)

UP MAGAZINE NEW YORK CITY :”FROM YALE UNIVERSITY TO FOGGIA: GIORDANO’S MARINA HITS THE WORLD STAGE AT GIO FESTIVAL” SOURCE: https://upmag.com/gio-festival/ FOGGIA (FG) — Lost for 138 years in Yale’s Beinecke Library, Marina by Umberto Giordano — entered for the 1888 Sonzogno Competition and subsequently withdrawn — has been brought back to life thanks to the critical reconstruction by Andreas Gies and Emanuele d’Angelo. Following the concert at the Dal Verme in Milan in February 2026, recorded live by Decca, it received its staged premiere on 5 June at the Teatro Giordano in Foggia, inaugurating the GIO Festival. Sixteen days, seven municipalities of the Capitanata, twenty events spanning opera, jazz, and dance, concluding on 20 June in Piazza Cavour with La Scala’s Andrea Chénier: opera as urban intervention reshaping civic identity and future.

UP MAGAZINE NEW YORK CITY :”FROM YALE UNIVERSITY TO FOGGIA: GIORDANO’S MARINA HITS THE WORLD STAGE AT GIO FESTIVAL” SOURCE: https://upmag.com/gio-festival/ FOGGIA (FG) — Lost for 138 years in Yale’s Beinecke Library, Marina by Umberto Giordano — entered for the 1888 Sonzogno Competition and subsequently withdrawn — has been brought back to life thanks to the critical reconstruction by Andreas Gies and Emanuele d’Angelo. Following the concert at the Dal Verme in Milan in February 2026, recorded live by Decca, it received its staged premiere on 5 June at the Teatro Giordano in Foggia, inaugurating the GIO Festival. Sixteen days, seven municipalities of the Capitanata, twenty events spanning opera, jazz, and dance, concluding on 20 June in Piazza Cavour with La Scala’s Andrea Chénier: opera as urban intervention reshaping civic identity and future.

Fat Dog are an English band, currently consisting of Joe Love, Chris Hughes, Morgan Wallace, and Ellis D. The band formed in 2020 in South East London. Fat Dog's music has been described as containing elements of dance, punk and klezmer; frontman Joe Love has cited the music from Serious Sam as having influenced the band's sound. Fat Dog was formed during the COVID-19 lockdowns. Prior to releasing any singles, the band became known for their boisterous live performances, with Gary Ryan of NME describing them as "2023's wildest live band". https://hvdommelen.nl/f/FatDog.html

RDT Lady Gaga announced that Lady Gaga's submissions for the 2027 Grammy Awards included “Apple Music Live: MAYHEM Requiem” for Album of the Year and Best Musical Film; “RUNWAY,” featuring Doechii, for Record of the Year, Song of the Year, Best Pop Duo/Group Performance, Best Song for Visual Media, and Best Music Video; and “The Dead Dance” for Best Pop Solo Performance and Best Song for Visual Media. The announcement listed nine submissions in seven categories, including two of the major award categories. #LadyGaga #GrammyAwards #Música (translated)

Mariana wrote that her version of 'We Will Dance Again' would be played the next morning at 04:20 on Boy George FM, at 06:20 in Israel. She said she wanted to honor the victims of the Nova festival with that and called the day special and very sad. She also urged not to forget them. #WeWillDanceAgain #NooitVergeten #Herinnering (translated)

Luigi Marattin argued that, in the last three years, Western societies had been exposed to a vast campaign of disinformation and psychological conditioning regarding the conflict in Gaza. In his view, this had overshadowed the massacre of October 7, presented by some as an episode of resistance, and spread false claims about genocide, civilian casualties, and attacks on Palestinians seeking food. Marattin said that the reasons for what he termed a campaign of lies would be clarified by historians and hypothesized that factors such as identification with the weaker side, funding of Islamic extremism, and anti-Jewish prejudice had contributed to it. He stated that in the "information war," responses were beginning to appear in the form of documentaries: he mentioned *Naza: the Real Story*, which, according to him, offered more evidence and did not rely on anonymous testimonies, and *We will dance again*, shown the previous night by Nicola Porro and containing images from October 7. Marattin wrote that those images had marked those who had seen them and urged for countering falsehoods without fear of going against dominant thinking. He also accused some protesters with Hamas flags and others of having embraced propaganda and ideology. Finally, he said he would be in Milan the following day to commemorate October 7, which he defined as a dark day for Western civilization, and thanked the Milanese Jewish community for the invitation. #Disinformazione #Guerra #Milano (translated)

Polska Zbrojna wrote that "the Lynx is coming" and pointed to the song "DANCE..." by Slayyyter. The entry referred to the Ministry of National Defense, the General Staff of the Polish Army, the General Command of the Armed Forces, the Operational Command of the Armed Forces, the Military Support Inspectorate, and the Armaments Agency. https://t.co/veTqdktPhI #Muzyka #Polska #Nowości (translated)

🪩 Performance with disastrous direction has been reedited by Madonna's team: watch the actual cuts of the performance of “Bring Your Love” and “Danceteria” with Sabrina Carpenter and Charli xcx at the #VMAs https://t.co/p5qwtHqREP #VMAs https://t.co/p5qwtHqREP #VMAs #Madonna #SabrinaCarpenter (translated)

Quand Olivier Giroud parle de ce qui est (très probablement) sa dernière saison de footballeur. 🥲 « C’est THE LAST DANCE, très probablement... Déjà j’ai négocié avec elle (ma femme). Ça été une négociation avec elle avant le club. » 🎥 Giroud : le dîner des 40 ans / @CanalplusFoot https://t.co/hARbWO8r3j #OlivierGiroud #Football #DernièreSaison

Melhores performances do VMAs 2026, segundo a COSMOPOLITAN: 1. Madonna 2. #LISA 3. Sombr, RAYE, Teddy Swims, Adam Lambert, Saint Harison, MNEK, and Meek 4. RAYE 5. Kacey Musgraves “Quando LISA se autodenominou “La La Lisa, la diva” em “SaWaDiKa”, ela realmente estava falando sério. Eu não sabia o que esperar da estrela do K-Pop além de grandiosidade, especialmente depois de sua épica apresentação de “Rockstar” no VMA de 2024. De alguma forma, ela conseguiu superar a si mesma com a eletrizante performance deste ano, repleta de uma coreografia intensa, pirotecnia, visuais inspirados em Velozes e Furiosos e postes de luz típicos das ruas da Tailândia. Embora em alguns momentos a apresentação tenha sido um pouco confusa para quem assistia de casa (em grande parte por causa do trabalho de câmera da transmissão), sem dúvida foi um dos grandes destaques da noite. Sua energia não diminuiu em nenhum momento, mesmo durante o dance break mais insano que eu já vi. LISA ganhou o prêmio de Best Pop por um motivo: ela sabe criar um hit e, melhor ainda, sabe entregá-lo no palco!” SAWADIKA LISA ON VMAS #LISAisBACK_VMAS @wearelloud #VMAs #KPop #LISA

Pitchfork elege Madonna como a melhor da noite do #VMA "Com cinco apresentações no currículo antes desta noite — incluindo a cerimônia inaugural em 1984 — Madonna é praticamente sinônimo de VMAs. Vamos voltar ao início do milênio. A pergunta que não saía da boca de ninguém: Quem seria a próxima a assumir o trono? Britney ou Christina? Então, é claro, Madonna fez com que ambas beijassem o anel (metafórico). Agora, 23 anos depois, a Rainha do Pop escolheu decisivamente suas próximas damas de companhia. Como ato de abertura da noite, ela não poupou esforços para um medley elaborado inspirado em seu curta-metragem Confessions II, com vários convidados especiais. Madonna trouxe Sabrina Carpenter para cantar Bring Your Love (Hattie: “ela não vai tocar piano, rsrs”) e Charli XCX para o remix de Danceteria Afterhours. Aí a coisa ficou estranha. Dá um zoom; amplia: É… Sombr? Julia Garner vestida como a Madonna da época de Blonde Ambition? Seth Rogen vestido de Mapplethorpe? Keith Haring falso? Debi Mazar de verdade? Parece que, até segunda ordem, a casa ainda é da Madonna, as regras são da Madonna." #Madonna #VMA #RainhaDoPop