The author stated that part of the batteries used in vehicles from Stellantis, Renault, and Volkswagen was made at the cost of the illegal destruction of vast areas of primary forests in Indonesia due to nickel mining. https://t.co/qanoi6Gyta #Environnement #Déforestation #IndustrieAutomobile #ID #FR #DE #ID (translated)
In an interview, Guillaume Pitron emphasizes that Europe, although it is a maritime power, does not fully realize its potential in the competition for ocean resources, as detailed in his book "Oceans." #Océans #Capitalisme #Extraction (translated)
Jordan Bardella, president of the National Rally, firmly denies the allegations of anti-Semitic messages made by Mediapart and states that he does not have a Facebook account to request the extraction of conversations related to the allegations. #JordanBardella #antisemitisme #Mediapart (translated)
Jordan Bardella, the president of the National Rally, declared that he no longer has a Facebook account and that he cannot request Meta to extract his conversations. #Politique #Bardella #RN (translated)
The Russian invasion of Ukraine has rekindled amber mafias, which illegally exploit this precious mineral, exacerbating the destructive exploitation of forests and circumventing recent regulations put in place to combat this lucrative trafficking. #Ukraine #ExtractionIllegal #MafiasDeLambre (translated)
Press briefs stated that, contrary to what Jordan Bardella had declared the night before, the extraction from Meta of the conversation containing antisemitic writings took place on August 16, and not this week after Mediapart's first revelations on Monday. https://t.co/FrVCUptUrA #France #Antisémitisme #Média (translated)
Mediapart defends the authenticity of the antisemitic messages attributed to Jordan Bardella by publishing data extraction evidence and detailing its investigative method, after the president of the National Rally disputed these revelations. #Mediapart #Antisémitisme #JordanBardella (translated)
"I want to draw attention to the fact that the extraction was done after the publication on Monday [September 28]." https://t.co/16pzYEP1Kt #Médis #Vérité #Transparence (translated)
I don't know if Bardella struck down the girl of the mole, but he still made the request for data extraction from META; the crazy opps really want to shut it down. #Bardella #Meta #Politique (translated)
🔴🇫🇷INFO - On the antisemitic writings of Jordan #Bardella revealed by #Mediapart, the media mentions, among other documents and testimonies, a data extraction from Meta certified by a bailiff and precise details about his private life in the exchanges… https://t.co/2KL2veRNFR https://t.co/t8C2XdASR1 #Antisémitisme #Politique #Médias (translated)
🔴⚠️ Info @Le_Figaro A bailiff confirms the veracity of the evidence provided by @Mediapart | Biographical elements revealed in the conversations by the user of the account indeed prove that it was the real Jordan Bardella: mother born in Italy, mention of an interview he gave to Parisien in 2013, or failure in the Sciences Po entrance exam. "The extraction of the conversation allows it to be dated, attests to the fact that this conversation has not been modified a posteriori, and confirms that the interlocutor of the conversation is referenced by Meta/Facebook under the name Jordan Bardella. The analysis of its content allows us to verify that it is indeed the true Jordan Bardella," assures Mediapart. #JordanBardella #Mediapart #LeFigaro (translated)
🚨 ALERT - The evidence of antisemitic exchanges by Jordan Bardella on Messenger comes from a file directly generated by Meta, at the request of the person who participated in the conversation. This extraction, CERTIFIED by a BAILIFF, establishes that the exchanges have not been altered or modified. Source: https://t.co/xn1EKkMipL https://t.co/xn1EKkMipL #Antisémitisme #Justice #RéseauxSociaux (translated)
"FOGGIA SERA": FROM SAN SEVERO TO STANFORD UNIVERSITY: THE "SIX-SEAT REVOLUTION" OF THE TEATRO EDICOLA SOURCE: https://foggiasera.it/2026/09/19/da-san-severo-alla-stanford-university-la-rivoluzione-a-sei-posti-del-teatro-edicola-by-luciano-magaldi-sardella/ SAN SEVERO (FG) - The Stanford Social Innovation Review (SSIR), the scholarly journal published by the Stanford Center on Philanthropy and Civil Society of the prestigious Stanford University - ranked second in the world in the Shanghai Ranking of World Universities - and recognised as the pre-eminent global reference for researchers, policy-makers, and practitioners of innovative entrepreneurship and philanthropy, hath published the reportage "The Six-Seat Revolution" upon the Teatro Edicola of San Severo, the smallest theatre in the world by dimension and capacity, born of the intuition of Francesco Gravino, Artistic Director of the Foyer '97 company. Its author is Luciano Magaldi Sardella, independent researcher and international journalist, native of Orta Nova and of maternal Sanseverese extraction, hitherto author of studies published in international academic journals. The piece appeared in the September (Fall 2026) edition of the academic review, within the section devoted to Arts & Culture. A presence that projects San Severo, and more broadly the Capitanata, into the international élite of research upon cultural and urban innovation. The Theatre Is Born of a Disused Newsstand It all commenced on 27 March 2026, World Theatre Day, in Piazza Municipio at San Severo. A news-kiosk, disused for years in Via Matteo Tondi, raised its shutter to reveal, in lieu of newspapers and cigarettes, an actor upon the stage. Within: six chairs. At intervals of fifteen minutes, a new audience took its place. Drawing inspiration from the televisual format of Edicola Fiore by the noted Sicilian presenter of radio and television, there was born the Teatro Edicola, a structure now recognised in the media as the smallest theatre in the world for dimensions and capacity: four square metres in aggregate, with a scenic space of less than two metres. Gravino hath led Foyer '97 for nigh on thirty years, forging a most exacting artistic trajectory in a context - that of southern Italy - historically penalised in respect of public financing for culture. And yet, upon beholding that vacant kiosk, he elected the path of provocation: to transfigure the bare minimum into a manifesto concerning the very meaning of theatre. The Model and its Measurable Effects The inaugural season endured for three days. All performances were sold out. In a single afternoon, upwards of sixty persons attended the representations. The cost of the entire pilot operation was less than three thousand dollars. The formula is radical in its constitutive elements: performances of five to twelve minutes' duration, conceived expressly for the space; rotation of the audience every fifteen minutes; direct and inescapable visual contact betwixt actor and spectator; no architectural or psychological distance betwixt stage and auditorium; ticket proposed at five euros per person, within a hybrid economic model comprising municipal support, local sponsorship, and box-office receipts. According to the analysis published in the Stanford Social Innovation Review, the Teatro Edicola represents a replicable model of low-cost, high-impact urban regeneration, capable of reactivating abandoned commercial spaces (newsstands, tobacconists, telephone kiosks) without recourse to large infrastructural investment. The Voice of Him who Built it All Francesco Gravino entertaineth no doubt as to the import of the enterprise: "Grand theatres are not requisite to transform a fragment of a city. What is requisite is a sound idea and the courage to restore to the collectivity a space that hath lost its function." And upon the import of international recognition: "Teatro Edicola was born to demonstrate that a place of encounter and culture may arise wheresoever, even within two square metres. That this work should today be studied at an international level and that enquiries should arrive from cities such as Lucca and Rome is confirmation that the path pursued is the right one." The director hath further explicated the symbolic choice of place: the newsstand was the locus wherein each morn one paused, informed oneself, and recognised oneself as a community. Its disappearance rent a precise social fabric. To restore unto it a cultural function is to re-stitch that tissue at the very point wherefrom it was torn. The Challenges: Scalability, Institutional Recognition, Entrenchment The SSIR reportage doth not confine itself to celebration of the project but analyseth also the critical junctures. The first is sustainability over time: an activation of three days, howsoever successful, doth not yet constitute a stable programme, a veritable seasonal repertory (weekends from spring to autumn) with a rotating roster of local and regional companies. The second juncture concerneth replicability without loss of identity: the Teatro Edicola functioneth also by virtue of the profound roots of Foyer '97 in the Sanseverese territory. To transplant the model elsewhere requireth not merely a physical kit, but an entire process of community-building. The third obstacle is institutional: in a system of public funding that rewardeth organisations with consolidated premises and predictable output metrics, a project deliberately experimental, hyperlocalist, and by its very nature impermanent strugglest to gain access to the ordinary channels of the Fondo Nazionale per lo Spettacolo dal Vivo (FNSV) of the Ministry of Culture. A Lesson that Travels beyond Puglia In the Stanford Social Innovation Review the author concludeth that the intuitions of the Teatro Edicola transcend the Sanseverese context: in any community wherein cultural institutions struggle to reach youthful, diverse, or economically marginal publics, the principle of proximity proveth disruptive: to encounter people where they already find themselves, in the spaces they inhabit quotidianly. From the populous centre of Daunia to the pages of Stanford University: San Severo and its kiosk demonstrate that six chairs, four square metres, and a vision suffice to alter the manner in which a city conceiveth of itself. And to offer unto the world a model that costeth less than one might credit, yet is worth far more than one might imagine.
Le sable, deuxième ressource la plus consommée après l'eau, est crucial pour la construction de bâtiments et d'infrastructures, mais son extraction massive a des conséquences environnementales désastreuses. #sable #environnement #surconsommation
"ne restera pas les bras croisés face à l'enrichissement de l'élite cubaine grâce à l'extraction des ressources"
Climate policy can’t afford to ignore Indigenous knowledge. 🚨 #Mongolia's herders are seeing land degradation firsthand & warning that mining, infrastructure & water extraction must be part of the conversation. At @Cop17Mongolia they call for inclusion 👇https://t.co/LRR75WFmfJ #IndigenousKnowledge #ClimatePolicy #LandDegradation #MN
The Pathology of Masculinity and Femininity Without Cultural Restraint Both sexes have evolutionary roles: men developed strength for protection, provision, and competition; women developed beauty and selectiveness for pair-bonding and survival. Culture channels these drives—family structure, dating norms, fatherhood, shame, religion—guiding strength toward building and beauty toward commitment. Remove the norms and the drives seek new avenues. For men, the open channel becomes force: aggression and risk can detach from responsibility, yielding robbery, assault, gang violence, and predation. The shadow side of masculinity is strength used to take rather than protect. For women, the channel shifts to extraction through simulated intimacy: monetized desire via platforms and influencer economies can turn closeness into leverage, often without the pair-bonding or family life it was built to support. The masculine ideal is protector and disciplined provider; its pathology is thug or criminal. The feminine ideal is nurturer and guardian of commitment; its pathology is the seller of simulated intimacy and extractor of attention. Both are corruptions of genuine virtues. Three accelerants intensified these patterns: stigma’s collapse, technology’s scalability of desire, and weakened communities and absent fathers. The root cause is the breakdown of family norms. Men are less destructive when bonded and mentored; women are less exploitative when raised to value enduring commitment. Consequences mirror each other: unchecked male pathology produces violence; unchecked female pathology produces mistrust, loneliness, and demographic decline. Both arise when culture denies that masculine and feminine virtues must be shaped and channeled rather than suppressed.
La Namibie a donné son feu vert à un projet d'extraction de phosphate en mer, une première mondiale, malgré les inquiétudes des organisations environnementales concernant des risques pour la faune marine et la libération de métaux lourds, ce qui a suscité des menaces de contestation de la part du secteur de la pêche. #Namibie #phosphate #environnement
La Roumanie a annoncé qu'un chasseurs F-16 avait abattu un drone maritime près du projet gazier Neptun Deep, le plus important projet d'extraction gazière en mer de l'Union européenne, suite à la destruction de deux drones similaires la semaine précédente. #Roumanie #F16 #extractiongazière
Le ministre de la Défense roumain a annoncé qu'un chasseur F-16 avait abattu un drone maritime près du projet gazier Neptun Deep, le plus important projet d'extraction gazière en mer de l'UE, après la destruction de deux drones de type Gerbera la semaine précédente dans la même région. #Défense #Gaz #Roumanie
