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🚨 INCROYABLE ! MASTU VIENT DE RÉCOLTER 400 000 € EN SEULEMENT 10 MINUTES POUR LE VÉRITABLE SCRIPT DU FILM INCEPTION, DÉDICACÉ PAR CHRISTOPHER NOLAN 😱 C’EST L’HOMME DU ZEVENT 2026. https://t.co/UgmvPNIfVr #Inception #ChristopherNolan #Zevent2026

After “Broadway World”, Marina (1888) from the Teatro Umberto Giordano’s “GIO Festival” in Foggia now reaches the Belgian “Opera Gazet” SOURCE: https://medium.com/@ingnucllms/after-broadway-world-marina-1888-from-the-teatro-umberto-giordanos-gio-festival-in-foggia-73ba01e5f50a SOURCE: https://www.operagazet.com/marina-by-giordano-its-world-stage-premiere-in-foggia/ SOURCE: https://www.operagazet.com/marina-by-giordano-its-world-stage-premiere-in-foggia/ From the homepage of “Broadway World” to the pages of an authoritative international magazine: the world stage première of Umberto Giordano’s youthful melodrama now consecrates Foggia as the capital of a “rediscovered verismo”. There is a destiny that waits, patiently, to be fulfilled. It is the destiny of Marina, a one‑act melodrama with music by Umberto Giordano and a libretto by Enrico Golisciani, composed in 1888 for the celebrated Sonzogno competition and subsequently withdrawn by the composer himself, falling into an oblivion that lasted 138 years. That destiny was fulfilled on 5 June 2026 at the Teatro Umberto Giordano in Foggia, with the World Staging Première of the opera, the inaugural event of the first edition of the “GIO Festival” — “Giordano International Opera Festival”, the new international showcase which, from 5 to 20 June, transformed the Capitanata into a widespread stage devoted to the Maestro from Foggia. A cultural enterprise of European breadth, promoted by the Chamber of Commerce of Foggia together with the Municipality and the Province, supported by the Region of Puglia and the Fondazione Monti Uniti, and capable of restoring to history a fundamental fragment of nascent verismo. The Foggia production — directed by Giandomenico Vaccari, conducted and coordinated by Matteo Dal Maso, with sets and costumes by Alfredo Troisi, lighting by Massimo Russo, and soprano Valeria Sepe in the eponymous role — represented not a mere performance, but the scenic resurrection of an opera long believed lost. Its autograph score was rediscovered only recently at Yale University’s “Beinecke Rare Book and Manuscript Library”, within the “Frederick R. Koch” Collection, thanks to the philological work of the conductor and musicologist of Venetian and German heritage, Andreas Gies, who prepared its critical edition. After the transatlantic resonance that saw the “GIO Festival” reach the homepage of “Broadway World” thanks to the world première of Marina, complete with exclusive photographs of the historic debut, a new and prestigious international recognition now arrives. The authoritative Belgian opera magazine “Opera Gazet” dedicates an extensive musicological review to the Foggia event with the article: “ “MARINA” (by Giordano) — ITS WORLD STAGE PREMIÈRE IN FOGGIA”. An arrival far from secondary. If “Broadway World” marked the opera’s transatlantic debut, “Opera Gazet” now seals its critical consecration among the most discerning and specialised audiences: the melomaniacs, scholars, and professionals of the operatic world. From Foggia to New York, from New York to the circuit of the international opera press. The trajectory of Marina confirms what the “GIO Festival” has sought to demonstrate since its inception: Giordano’s legacy is not a local memory, but a living repertoire, capable of conversing with major stages and with the world’s most prestigious cultural outlets. The rediscovery born in Foggia is now a heritage shared by all.

Luciano Magaldi Sardella, LSE Review of Books, “A currency in crisis — the euro’s structural fragility” SOURCE: https://medium.com/@ingnucllms/luciano-magaldi-sardella-lse-review-of-books-a-currency-in-crisis-the-euros-structural-1bb7a4c8b16a Source: https://lnkd.in/dBJpcU3n With my sincerest thanks in advance to: - Ms Anna D’Alton, Managing Editor of the LSE Review of Books, London School of Economics and Political Science. - Dr John H. Cochrane, Rose Marie and Jack Anderson Senior Fellow of the Hoover Institution at Stanford University, and author of such foundational works as The Fiscal Theory of the Price Level and Asset Pricing (both Princeton University Press). - Dr Luis Garicano, Professor of Public Policy at the London School of Economics and Political Science, and former Member of the European Parliament from 2019 to 2022. - Dr Klaus Masuch, who has accompanied the euro from its very inception, having held positions of the highest responsibility at the European Central Bank for over two decades — from the stewardship of monetary policy strategy to the oversight of EU member states. This is an honour I shall not readily forget. I have had the distinct privilege of continuing my role as academic reviewer for the LSE Review of Books — one of the most authoritative scholarly publications in the world — with the volume: “Crisis Cycle: Challenges, Evolution, and Future of the Euro,” published by Princeton University Press of Princeton University, Ivy League, USA. This quite remarkable work examines the evolution of the euro from its founding idealism to its present institutionalised fragility, laying bare how the monetary union has found itself ensnared in a self-reinforcing cycle of crisis and improvisation. It is a work of rare distinction, blending scholarly rigour with the hard-won wisdom of those who have shaped European economic policy at the very highest level. I extend my most heartfelt gratitude to Professors Cochrane, Garicano and Masuch for producing a volume of such depth, lucidity and intellectual courage. To review a work of this calibre is, before all else, an uncommon privilege.

SciLight Global South Sustainable Development (GSSD) – Street Art as Participatory Infrastructure and Community Mental Health SOURCE: https://www.linkedin.com/pulse/scilight-global-south-sustainable-development-gssd-sardella-ph-d--ojtlf/ It is with considerable satisfaction that I have the honour of announcing the publication of our scholarly contribution, produced in collaboration with Professor Matteo Mantuano (Unitré, Università degli Studi di Milano), with the generous support of the Stramurales International Street Art Festival, Stornara Life APS, under the direction of Lino Lombardi, and the Banda dei Fischietti of Stornara, Puglia, Italy: "Street Art as Participatory Infrastructure and Community Mental Health: The Case of the Stramurales Festival of Stornara Life APS" Global South & Sustainable Development, 2026, 1(1), 6 🔗 https://www.sciltp.com/journals/gssd/articles/2602003135 Published by Casa Editrice SciLight, with its headquarters at Suite 4002, Level 4, 447 Collins Street, Melbourne, Victoria 3000, Australia. What Does this Research Concern itself with? The present study examines the Stramurales International Street Art Festival of Stornara (Puglia) as an innovative instrument of participatory public health intervention, analysed through the theoretical lenses of environmental psychology, resilience theory, and the emerging framework of "EnvironMental Health." Stornara constitutes a paradigmatic instance of the structural violence that afflicts rural Southern Italy: youthful emigration, infrastructural deterioration, and collective despondency together form a constellation of deeply interconnected public health crises. The Stramurales model—founded by Maestro Lino Lombardi under the auspices of the association Stornara Life APS—addresses these considerable challenges by means of three cardinal democratic mechanisms: the voluntary participation of property owners, the democratic selection of mural content through annual community assemblies, and a system of transparent governance expressly designed to forestall appropriation by local political élites. Principal Findings ISTAT data document a reduction in the annual rate of youth emigration from approximately 175 per 1,000 young adults during the period 2014–2017 to approximately 118 per 1,000 between 2018 and 2022: a diminution of some 33 per cent, notably coincident with the festival's inception. Whilst one must naturally refrain from attributing this variation causally and exclusively to the intervention in question, the quantitative evidence integrates compellingly with a rich body of qualitative testimony: participants who now describe their community no longer as "a place from which one flees", but rather as "a place actively engaged in becoming something". The psychological mechanisms thus documented — affective regulation, social cohesion, narrative reconstruction, and collective self-efficacy — are produced not by the murals as such, but by the democratic process through which they are brought into being. It is participatory governance, one must insist, that constitutes the genuine therapeutic agent. Why Does This Matter at the Global Level? Through comparative analysis with experiences drawn from the Global South—among them Casa Kolacho in Medellín, post-apartheid initiatives in South Africa, and festival projects within the Brazilian favelas—the study demonstrates the transferability of this model to contexts of structural marginalisation of markedly different character and provenance. The implications for public policy are unambiguous: democratic governance of urban space is not a procedural nicety but a fully-fledged therapeutic intervention, at once economically sustainable and eminently replicable. This work forms part of a broader research programme initiated with the publication of Street Art as Public Health Infrastructure in the Harvard Health and Human Rights Journal, and aspires to contribute, both theoretically and empirically, to the consolidation of an integrated discipline at the intersection of cultural policy, urban design, and public health. I remain profoundly grateful to all those in Stornara who possessed the singular courage to paint their own future.

The Psychologist – The British Psychological Society – When Walls Become Wellness SOURCE: https://www.linkedin.com/pulse/psychologist-british-psychological-society-when-walls-sardella-ph-d--pu8sf/ Dr Luciano Magaldi Sardella and Professor Matteo Mantuano on how ‘Stramurales Participatory Street Art’ transforms urban mental health. Link: https://www.bps.org.uk/psychologist/when-walls-become-wellness The Psychologist, The British Psychological Society by esteemed Dr. Joe Sutton, Head of Science Communication at BPS Contenuto dell’articolo On a sweltering afternoon in June 2018, we stood in the central square of Stornara, a small agricultural town in Puglia, Southern Italy, watching something extraordinary unfold. Local artist Lino Lombardi was facilitating a heated discussion among residents about which mural designs should adorn their town's crumbling walls. What struck us wasn't the art itself, but the transformation we witnessed in the eyes of people who, just months before, had described their hometown as a place to escape. These were individuals reclaiming their narrative, voting on their future, literally painting over decades of decline. We are environmental and community psychologists who have spent over a decade studying how built environments shape mental health outcomes. Dr Luciano Magaldi Sardella's research focuses on participatory arts interventions in declining rural communities, while Professor Matteo Mantuano specialises in the psychological mechanisms of community empowerment and collective agency. When we first learned about the Stramurales festival in early 2018, we recognised it as a rare opportunity to observe participatory urban art as a potential tool for addressing the mental health crisis plaguing Southern Italy's depopulating towns. Over the past seven years, we have conducted extensive fieldwork in Stornara – interviewing residents, documenting the festival's evolution, and analysing its psychological and social impacts. What we found in Stornara was something far more significant than an innovative community-led arts initiative. It was environmental psychology in action – reshaping how we understand the relationship between built environments, participatory arts, and mental health. The Crisis Hiding in Plain Sight Recent research reveals an alarming convergence of environmental and mental health crises that remains curiously underexamined in psychological discourse. Mental health research receives a mere 2.3 per cent of overall National Institute of Health funding. We cannot know how much of that concerns our environments – both natural and built – which fundamentally shape our psychological wellbeing. The newly proposed field of 'EnvironMental Health' emphasises that deteriorating built environments correlate significantly with elevated stress, social isolation, and worsening mental health outcomes. Southern Italy's rural communities embody this crisis. Between 2002 and 2017, South Italy region lost approximately two million residents to migration, predominantly young adults aged 15-34. This exodus created what Johan Galtung described as 'structural violence' – systematic arrangements preventing communities from realising their potential. The mental health toll manifests not just in individual diagnoses, but in collective despair, eroded social capital, and communities watching their futures literally emigrate. Stornara exemplified this trajectory. By 2017, this municipality of 6,000 residents faced the familiar spiral: economic contraction precipitating youth emigration, accelerating infrastructure deterioration, driving further decline. Walls crumbled. Businesses shuttered. Hope evaporated. Then something changed. The Stramurales Revolution: Democracy through Design What emerged in Stornara transcends conventional cultural tourism. The Stramurales International Street Art Festivalworks through three foundational democratic mechanisms that distinguish it from superficial beautification projects. Organised through Stornara Life APS – an open-membership association founded by Maestro Lino Lombardi – the festival prevents elite capture through voluntary property owner participation ensuring no coercion; democratic content selection through annual community voting on festival themes and mural proposals; and transparent, inclusive governance that gives all residents a voice in the festival's direction. This participatory architecture facilitates what the World Health Organization describes as 'community empowerment' – processes enabling communities to increase control over determinants affecting their health. Recent field studies in Vienna demonstrate that urban art interventions reduce stress and anxiety while improving mood states, but Stramuralesgoes further by embedding art creation within democratic decision-making structures. When residents voluntarily offer walls and vote on content, they perform acts of material and psychological investment. This restoration of collective agency – the belief that residents can shape their hometown's future rather than merely witnessing decline – directly addresses the structural violence that erodes mental health. Between 2020 and 2025, Stornara experienced a huge increase in tourism revenue despite pandemic disruption. New businesses opened. A Stornara-born emigrant who returned reluctantly in 2017 to provide parental care, now works as a tour guide and describes Stornara as 'the coolest town in Italy'. These aren't just economic indicators. They're mental health outcomes. The Science behind the Transformation Contemporary research across multiple disciplines validates what Stornara residents experience viscerally. A 2024 systematic review examining 79 peer-reviewed articles identified how arts places – from permanent museums to temporary public installations – stimulate community engagement, enhance cultural identity, and foster social cohesion. Community-driven mural projects specifically strengthen local identity and pride, creating new routines for individuals to interact and build relationships. Recent experimental research in Berlin found that sidewalk-level art exhibitions significantly altered visitors' connection to and satisfaction with their neighbourhoods, improving overall wellbeing. This aligns with emerging theories on art viewing's impact on mental health, which identifies five key mechanisms: affective processes regulating emotions and stress; cognitive processes providing sensory stimulation and learning; social processes creating shared experiences; self-transformation through reflection; and resilience building for coping with challenges. Environmental psychology research demonstrates that built environments operate as therapeutic interventions. Studies on mental health inpatient facilities reveal that design elements affecting privacy, control, daylight access, and particularly the inclusion of artwork significantly impact patient outcomes. If hospital walls matter therapeutically, how much more do the walls we encounter daily in our communities? The Stramurales model harnesses these mechanisms through the recent concept of 'visual health activism'. Several murals explicitly engage health and human rights themes: Alaniz Niz's 'Refuge for All Migrants' represents exploited African agricultural workers; Sabotaje al Montaje's 'Turning Our Backs on Migration' challenges exclusionary policies; Devil Art Design's 'African Child at Sunset' portrays migrant youth seeking dignified futures. These works address social determinants of health through human rights advocacy. Migration policies denying basic rights create health vulnerabilities – including restricted healthcare access, hazardous working conditions, and psychological trauma from discrimination. The murals perform dual public health functions, in addressing residents' mental health while advocating for populations whose health rights face systematic violation. Place Attachment and Community Resilience The relationship between environmental perception, cultural identity, and community resilience has received substantial scholarly attention in 2024-2025. Research in rural China demonstrates that environmental perception of public spaces influences community resilience through chain mediating effects of cultural identity and place attachment. When communities transform their physical environments through participatory processes, they simultaneously strengthen the psychological bonds that underpin resilience. This explains why Stramurales succeeds where traditional economic development approaches falter. The festival doesn't just create economic value – though over 150 murals by international artists now attract thousands of visitors annually. It fundamentally reshapes residents' relationship with their environment, transforming narratives of decline into evidence of vitality. Each democratically selected mural becomes what resilience researchers call an 'anchor of hope' – tangible proof contradicting despair. Contemporary resilience theory emphasises that strength resides not merely in physical infrastructure but in social cohesion. A recent analysis of resilient urban design in marginalised American neighbourhoods found that residents' message – 'We like our neighbours, we like the character of where we live' – revealed that resilience is fundamentally about people and community. Design interventions succeed when they preserve and strengthen these social bonds, rather than imposing external visions. Stramurales embodies this principle. The democratic voting mechanisms ensure art reflects genuine community values rather than artist or curator preferences. This prevents the cultural displacement often accompanying urban regeneration, where improvements benefit newcomers while alienating existing residents. By centering resident agency, Stramuralesbuilds what researchers describe as 'critical resilience' – capacity addressing underlying inequalities rather than merely adapting to them. The Participation Gap and Universal Access These findings resonate profoundly with longstanding concerns about arts accessibility. The 2015 Warwick Commission documented that the wealthiest, most educated 8 per cent of the UK population accounted for 44 per cent of live music attendance and 28 per cent of visual art visits. This participation gap particularly affects communities that would benefit most from arts engagement for health and wellbeing. But Stramurales challenges this narrative. Street art as public health infrastructure requires no admission fees, no advance booking, no cultural capital to appreciate. It exists where people live, transforming daily commutes into encounters with beauty and meaning. The democratic selection process ensures accessibility extends beyond consumption to co-creation – residents don't just view art, they determine what appears on their walls. Recent research on participatory arts and social cohesion emphasises that successful interventions share common features: delivery in local communities, non-stigmatising approaches, flexibility, promoting social engagement, involvement of exhibitions, and delivery within specific timeframes. Stramurales incorporates all these elements while adding genuine democratic governance. This matters urgently. Mental health conditions among young people globally are rising, and traditional mental health services remain chronically underfunded. If we cannot scale clinical interventions to meet demand, we must invest in preventive public health approaches targeting social determinants. From Stornara to the World: Implications for Practice The Stramurales model offers a replicable template requiring modest financial investment but substantial community participation. Essential elements include voluntary engagement, democratic decision-making, strategic social media use for marketing, and integration of local narratives with global artistic practices. Several cities have implemented variations with promising results. Research on artistic interventions in urban spaces across Europe and Asia demonstrates that participatory art projects can serve as 'social prescribing', improving psychological resilience and enhancing public engagement. Tactical urbanism approaches – small-scale, low-cost interventions improving public spaces – increasingly incorporate art as core rather than supplementary elements. The implications extend beyond individual communities. International frameworks including the International Covenant on Economic, Social and Cultural Rights enshrine rights to health and cultural participation. State obligations to conserve, develop and diffuse culture should support community-driven cultural initiatives demonstrably impacting health outcomes. As pandemic governance analyses emphasise, future health policy reforms must address not only biomedical preparedness but underlying vulnerabilities in community resilience and social cohesion. Street art operating through participatory structures directly strengthens these dimensions. What Psychologists Can Do We have roles to play at multiple levels. First, we must conduct research documenting the mental health impacts of participatory arts interventions. While promising evidence exists, methodologically rigorous studies with adequate sample sizes and long-term follow-up remain scarce. We need experimental designs, not just observational studies, examining mechanisms through which environmental transformations affect psychological outcomes. Second, we should advocate for policy recognising arts engagement as health intervention. This means supporting public health funding for community arts initiatives, particularly in economically deprived areas where traditional development approaches have failed. We should work with urban planners, architects, and artists to integrate participatory arts into neighbourhood regeneration from inception, not as afterthoughts. Third, we must ensure interventions embody genuine participation rather than tokenistic consultation. The Stramuralesmodel succeeds because residents hold real power. Without this, arts interventions risk replicating existing power structures and potentially accelerating gentrification that displaces the communities they ostensibly serve. Fourth, we should employ arts-based research methods that centre community voices. Collaborative approaches like participatory theatre, photovoice, and collaborative poetics enable communities to articulate their experiences and aspirations in ways traditional psychological assessments cannot capture. These methods acknowledge that communities possess expertise about their own needs and potential solutions. Finally, we must situate arts interventions within broader frameworks addressing social justice. Art should not function as a 'sticking plaster' masking underlying inequalities. Instead, we should harness arts' disruptive potential to promote what researchers term 'critical resilience' – capacity challenging systemic injustices rather than merely helping people adapt to them. This means addressing not just symptoms (mental distress) but causes (structural violence, economic abandonment, policy failures). Reimagining Health Infrastructure The Stramurales case compels fundamental reconsideration of what constitutes health infrastructure. We typically envision clinics, hospitals, pharmacies – biomedical institutions delivering treatments for diagnosed conditions. But what if the most effective mental health intervention for a declining community isn't a new psychiatric facility, but democratic processes enabling residents to transform their visual environment? Walls covered with democratically selected art, created through genuine community participation, demonstrably improve community mental health while operationalising cultural rights described in international law. The modest financial investment required pales beside costs of clinical services treating preventable distress. For communities experiencing decline where traditional economic development has failed, participatory street art may offer the most cost-effective, accessible, and sustainable mental health intervention available. This isn't about romanticising art or dismissing serious mental illness requiring clinical care. It's about acknowledging that population mental health requires addressing social determinants – and that participatory arts targeting built environments, social capital, and collective agency directly address these determinants. The question facing psychology isn't whether art can function as health intervention – Stramurales and growing evidence demonstrate it can. Rather, the question is whether we possess imagination to rethink health infrastructure, recognising that effective mental health promotion may require democratic decision-making and community participation as much as clinical expertise. As we watched Stornara residents voting on murals that June afternoon, we witnessed people exercising a fundamental human capacity too often denied in our field: the power to shape their own environments and, through that shaping, to heal. Perhaps that's the most vital lesson Stramurales offers psychology – that sometimes the most therapeutic intervention isn't administered by professionals, but created by communities reclaiming their agency… one democratically selected wall at a time. Dr Luciano Magaldi Sardella holds a PhD in Cognitive Leadership at Aspire Institute, Harvard Business School. Professor Matteo Mantuano is Professor of Social Sciences and Psychoeducational Health, Unitré University of Milan, Italy. Photo: 'Kid trapped in a box' mural by Leticia Mandragora References: All-Party Parliamentary Group on Arts, Health and Wellbeing (2017). Creative Health: The Arts for Health and Wellbeing (2nd ed.). Belfiore, E. & Bennett, O. (2024). The social impact of the arts: An intellectual history. London: Palgrave Macmillan. Bone, J.K., Bu, F., Fluharty, M.E., Paul, E., Sonke, J.K. & Fancourt, D. (2024). Who engages in the arts in the United States? 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The restorative benefits of nature: Toward an integrative framework. Journal of Environmental Psychology, 15(3), 169–182. Kim, J. (2017). Effects of community-based group music therapy for children exposed to ongoing child maltreatment and poverty in South Korea: A block randomized controlled trial. Arts Psychotherapy, 54, 69–77. doi:10.1016/j.aip.2017.01.001 Li, Y., Zhang, H. & Chen, T. (2024). Environmental perception, cultural identity and community resilience: Chain mediating effects of place attachment in rural China. Journal of Rural Studies, 98, 103– 115. Marmot, M., Atkinson, T., Bell, J., Black, C., Broadfoot, P., Cumberlege, J., Diamond, I., Gilmore, I., Ham, C., Meacher, M. & Mulgan, G. (2010). Fair society, healthy lives: The Marmot Review. Strategic Review of Health Inequalities in England Post-2010. Mulligan, M., Scanlon, C. & Welch, N. (2008). Renegotiating community life: Arts, agency, inclusion and wellbeing. 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The restorative benefits of walking in urban and rural settings in adults with good and poor mental health. Health & Place, 71, 102654. Stuckey, H.L. & Nobel, J. (2010). The connection between art, healing, and public health: A review of current literature. American Journal of Public Health, 100(2), 254–263. Theorell, T. (2024). Psychological health effects of musical experiences: Theories, studies and reflections in music health science. Stockholm: Springer Nature. Ulrich, R.S., Simons, R.F., Losito, B.D., Fiorito, E., Miles, M.A. & Zelson, M. (1991). Stress recovery during exposure to natural and urban environments. Journal of Environmental Psychology, 11(3), 201–230. Van den Berg, A.E., Wesselius, J.E., Maas, J. & Tanja-Dijkstra, K. (2024). Green space as a buffer between stressful life events and health: A longitudinal analysis. Social Science & Medicine, 310, 115270. WHO (2019). WHO housing and health guidelines. Geneva: World Health Organization. Zarobe, L. & Bungay, H. (2024). 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🚨 MASTU DÉVOILE LA LISTE COMPLÈTE des LOTS EXCEPTIONNELS de sa TOMBOLA du ZEVENT ! 🤯🔥 ▫️ Maillot du FC Barcelone signé par Lionel Messi 🐐 ▫️ Pied du costume de Spider-Man porté par Tobey Maguire 🕷️ ▫️ Casquette de Marty McFly signée par Michael J. Fox 🧢 ▫️ Script entier d’Inception dédicacé par Christopher Nolan 📝 ▫️ Maillot de l’équipe de France dédicacé par Désiré Doué 🇫🇷 ▫️ Des plaques de certification de multiples albums et singles (dont le double platine de 1994 d’Hamza offert par Shades 😉) 👏 Au total, 39 LOTS UNIQUES à gagner en faisant simplement un DON sur son live pour participer. Les dons seront reversés aux associations partenaires du ZEvent 💚 #Tombola #ZEvent #LotsExceptionnels

🚨 DAC Raised $1M… But There Are 10 MILLION+ Testnet Addresses 🤡😭 The latest DAC Chain numbers have me doing some very uncomfortable airdrop maths. DAC's own explorer is currently showing 10.2M+ addresses and 50M+ transactions on the Inception Testnet. So naturally my https://t.co/wBOgXuwkVz #DACChain #Airdrop #Testnet #Therearenospecificcountriesmentionedinthetweet.

🇫🇷🇺🇸🎫🎬 FLASH | Énorme succès pour « L’Odyssée » de Christopher Nolan : le film a dépassé les 7 MILLIONS d’entrées en France après seulement 7 semaines d’exploitation. Il devient seulement le 10e film à franchir ce cap depuis le Covid et pulvérise le précédent record de Nolan en France, détenu par « Inception » avec 4,9 millions d’entrées. #Cinéma #ChristopherNolan #LOdyssée

Iran's freedom has its roots in those who have resisted the regime since its inception. https://t.co/1YWQZHiuqT Since the 1979 revolution, the theocratic mullahs’ regime has held Iran in a deadly grip—a religious dictatorship that systematically violates every human right and #IranFreedom #HumanRights #ResistRegime #IR

Another important step for RheumaNext! 🚀 NVIDIA has approved our access to Inception Capital Connect. For the next 3 months, RheumaNext will be visible to hundreds of venture capital funds from the NVIDIA ecosystem. This is not an investment yet - but it definitely opens doors to https://t.co/L0qV6i7nQZ (translated)

O vazamento da minuta de contrato de Viviane (mulher de Dom Pedro I) com Paquito (Banco Master).Viviane enviou diretamente a minuta de R$ 129 milhões para Daniel Vorcaro no WhatsApp. A conversa foi extraída pela PF do celular de Vorcaro e anexada a um inquérito. “É o vazamento de dentro do vazamento." É um inception. Agora tem que abrir um novo inquérito para investigar o vazamento do inquérito que apurava o vazamento.” #Vazamento #Investigação #Conspiração

#ESM annual meeting chaired for the first time by @Pierrakakis highlighted our resilience and credibility with two facts : highest financial result ever of €2billion and Bulgaria joining during June and becoming the 21st Member ( four more than at inception) . PG @ESM_Press #ESM #Bulgaria #Finance #BG #ES

Satellite imagery analyzed by BBC Verify reveals that Iran has inflicted damage on 20 U.S. military sites in the Middle East since the war's inception, highlighting a more extensive and precise Iranian counter-offensive than U.S. officials acknowledge, with substantial losses to advanced military hardware and infrastructure. #IranWar #USMilitary #MiddleEastConflict

Nishkam Healthcare Trust, a volunteer-run health center in Handsworth, Birmingham, has successfully treated tens of thousands of underserved patients since its inception in 2012, saving the NHS approximately £6 million, while addressing significant health inequalities in the area through its culturally sensitive services and initiatives. #CommunityHealth #VolunteerService #HealthEquity #GB #IN

The article discusses the challenges faced by DACA recipients—immigrants brought to the U.S. as children—who have been protected from deportation and allowed to work legally since the program's inception 15 years ago, but are now experiencing increased anxiety and vulnerability due to court rulings and restrictive policies introduced during the Trump administration. #DACA #Dreamers #ImmigrationPolicy #US #MX #CentralAmerica #SouthAmerica #Caribbean #Asia #IL #AZ #TX #CA

The article discusses the challenges faced by DACA (Deferred Action for Childhood Arrivals) recipients, who have been shielded from deportation and allowed to work legally in the U.S. since the program's inception 15 years ago, amid ongoing legal battles and changes in immigration policy that have increased anxiety and vulnerability among them, including recent court rulings and actions by the Trump administration that have called the program’s stability into question. #DACA #Immigration #Dreamers #US #MX #CA #IL #AZ

The International Fund for Ireland, which has invested nearly £800 million in the Northern Ireland peace process since its inception in the 1980s, may enter its final funding decade as it faces challenges in securing contributions, while emphasizing the need for continued efforts to bridge communal divisions despite a significant reduction in violence. #PeaceProcess #ConflictResolution #InternationalAid #GB #IE #US #CA #AU #NZ #UA #SD

The International Fund for Ireland, which has invested nearly £800 million in the Northern Ireland peace process since its inception in the 1980s, may enter its final funding decade as it faces challenges in securing contributions, while emphasizing the need for continued efforts to bridge communal divisions despite a significant reduction in violence. #PeaceProcess #ConflictResolution #InternationalAid #GB #IE #US #CA #AU #NZ #UA #SD

Elon Musk is suing OpenAI for over $150 billion, alleging that it violated its founding mission to prioritize the public good over commercial interests, while OpenAI counters that Musk himself advocated for funding and a for-profit structure during its inception. #ArtificialIntelligence #OpenAI #LegalBattle #US #MS