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Tens of thousands of patient records from C-support and Q-support, containing valuable data for future research, are at risk of being destroyed, while patients have the opportunity to download their records until the end of this week. #gezondheidszorg #patiëntenrechten #onderzoeksdata (translated)

LIVING CERIGNOLA: THE MILITARY ARCHAEOLOGY OF THE BATTLE OF CERIGNOLA ARRIVES ON "POPULAR ARCHAEOLOGY USA" CERIGNOLA (FG) - The Battle of Cerignola on April 28, 1503, returns to the center of international debate. The prestigious American magazine Popular Archaeology has dedicated an extensive in-depth article to the battle that changed European military history: the first in which over 1,000 Spanish arquebusiers under Gonzalo Fernández de Córdoba, sheltered behind a trench reinforced with vineyard posts, stopped the charge of the elite heavy cavalry of the Duke of Nemours. A trench that, in fact, rendered cavalry obsolete and inaugurated the era of infantry armed with fire, determining control of the Mediterranean for the next 160 years. The article highlights the decades-long microhistorical research work of the Torre Alemanna Study and Research Center in Cerignola led by Dr. Matteo Stuppiello: from the letter of Consalvo de Cordoba to the Kings of Spain (April 29, 1503), to the graffiti of 1503 in the Church of Santa Maria delle Grazie, to the land registries of the State Archive of Naples that explain the agrarian origin of that trench. A battlefield still lacking a map and protection, but scientifically rediscoverable thanks to technologies such as LiDAR ISPRA, magnetometry, and ground-penetrating radar. An important recognition for Cerignola, for the Tavoliere, and for all historical research in Puglia, which today deserves a systematic project for the archaeology of battlefields. (translated)

GFrei.News reported that on October 19, an anonymous archive site went online that has over 421,179 emails, around 281 gigabytes of downloadable data, as well as internal documents and complete mailboxes. The data has been published on the linked website, which browsers have since flagged as a potential phishing site. In fact, the anonymously operated, poorly made, and AI-generated website, according to GFrei.News, contains no documents but merely offers a BitTorrent link to download the entire dataset. The publication is part of a campaign with another website. The author reported that an account announced new messages from the alleged hacker every few hours, including the banal information that they had used AI for analysis. GFrei.News also found the claim that the hacker had been offered 100,000 euros to take down the website to be little credible, as nothing was being published there and the torrent link was already available. International Cyber Digest has been publishing excerpts from the emails for several hours to highlight scandals, wrote GFrei.News. Half of the content mentioned has been known for years; the rest concerns ordinary internal party procedures, such as legal fees, donations, or the handling of misconduct by members. Such cases are dealt with by state arbitration courts, according to the author, who referred to the tens of thousands of AfD members. GFrei.News suspected that the individuals behind this were not German leftists: the original text was written in English and only partially translated into German by machine. Additionally, the initially stated registration in Wyoming was later changed. The hasty publication and repeated contact attempts at International Cyber Digest suggested, in the author's view, more of amateurs than professional hackers. The author expected that the publication would have no consequences and described internal party email communication as largely routine and limited to official processes. #AfD #Hacking #Cybersecurity (translated)

Frank Steppat wrote that the t-online researcher Lars Wienand proudly announced having downloaded a 283 GB dataset from the AfD, which allegedly originated from an illegal hack. Steppat claimed that Wienand used BitTorrent for this and thus also shared data with other users. This could make Wienand, according to Steppat, a distributor of the hacked material and raise questions about data trading under § 202d of the Criminal Code as well as violations of the GDPR. He advised Wienand to stop the download or consult a lawyer. #SteppatRiehle #InvestigativerJournalismus #Datenschutz #CyberSecurity (translated)

RADIO ARC 101:“NEWSSTANDS, ‘ENDANGERED SPECIES’ LIKE CAFÉS: MONEY LOST AND HOPES FROM STANFORD” by NANDO SILVESTRI SOURCE: https://radioarc.it/edicole-razze-in-estinzione-come-i-bar-soldi-persi-e-speranze-da-stanford/ Newsstands are another repository of humanity and knowledge, in many respects similar to cafés, at least as far as the unfortunate fate that has befallen many of them is concerned. The smell of printed paper, coloured card, variegated covers, surprise packets and cellophane was an olfactory molasses that once intoxicated young and old alike and represented, at the same time, a sought-after destination for daily walks and pauses. Stopping by the newsstand meant drawing upon knowledge, entertainment, culture, imagination and creativity. All prerogatives lost on account of the shapeless and amorphous surrogates disseminated by the web. This is the principal reason for the cumulative and recurring closure of a great many Italian newsstands: in economics, one speaks of a sector in demand collapse. But it is not merely a newsstand that closes; a piece of the local and national economy closes with it. From 35,000 newsstands in 2005 to about 20,000 in 2024: -43%. With them goes direct turnover of over €400 million per year, but the real hole is the indirect economy that is never calculated. Each average newsstand in a small town generated distribution worth €15,000 per year in margins for local distributors, couriers, and printers. Moreover, the customer who bought the newspaper would have a coffee, buy a bus ticket, place a bet. Download the Medium App One must consider that without a newsstand, the village cinema loses its only physical promotional outlet, not to mention the losses in terms of advertising. When it closes, it is not only the newsagent who loses. The café loses, the driver loses, the printer loses. In Irpinia, over the last five years, Avellino has lost six newsstands, Ariano Irpino three, Sant’Angelo dei Lombardi two. The total loss in Irpinia amounts to about 22% of outlets. All this means that many of the closures mentioned above have deprived Irpinian cafés of several dozen customers, harming workers, distributors and suppliers. These are jobs that do not make the news, but they exist. Another hard blow inflicted upon the local and national economy in the name of a false progress that almost always favours the business of fixers and the usual suspects. However, what is happening in Puglia, a few kilometres from Irpinia, opens up scenarios of renewal based precisely upon the reconversion of disused newsstands. These are prospects so unique and innovative as to have aroused interest worldwide, especially at Stanford University. This is news of enormous significance that few news programmes have disseminated, in the name of a perennial pre-emption by technologies contemptuous of common sense, tradition and art. In San Severo, 40 km from Upper Irpinia, a newsstand abandoned for six years in Via Matteo Tondi became, on 27 March 2026, the Teatro-Edicola Foyer’97: six chairs, four square metres, an idea by Francesco Gavino. The well-received 10- to 15-minute shows have piqued the curiosity of Stanford University. Its academic journal, the Stanford Social Innovation Review [SSIR], has chosen the Teatro Edicola in San Severo as an international case study with the reportage “The Six-Seat Revolution”. Why is Stanford watching us? Because it has realised that those four square metres can once again generate indirect economic activity. Indeed, 60 spectators in an afternoon can become 60 coffees at the neighbouring café. With a symbolic ticket price of €5, we are talking about a cultural micro-economy. Not to mention the indirect income from tourists and journalists who arrive and frequent B&Bs and restaurants. It is the model Irpinia needs: not to leave the void, but to reconvert it virtuously. Every closed newsstand can become an information point, a micro-cinema, a service hub. Otherwise we shall continue to count only the lowered shutters, without counting the money that no longer circulates.

The post said Cristiano Ronaldo’s story with Portugal was not over, claiming the federation wanted him back and that a plan to bring him back in November would follow by the end of the month. It also promoted the BetwayScores app. https://t.co/vq1aTRCoZN #CristianoRonaldo #Portugal #Football #PT (translated)

The article discusses the decline of consumer rights in a digital world, where buying films, music, books, and video games often means nothing more than obtaining an empty code, as illustrated by the upcoming physical release of Grand Theft Auto, which will only contain a download code. #DroitsDesConsommateurs #JeuxVidéo #Numérique (translated)

The piracy app Moviebox, which has already recorded over 300 million downloads, is causing concern in the EU, as despite unsuccessful attempts to shut down the platform, its popularity, especially in Africa, continues to increase rapidly. #Piraterie #Streamingdienste #Urheberrecht (translated)

CIVICO 33 — “ORTA NOVA SOUND LAB”: FROM CAPITANATA TO “BROADWAYWORLD”, THE “COMMUNITY BAND” PROJECT CONQUERS NEW YORK SOURCE: https://www.civico93.it/orta-nova-sound-laab-dalla-capitanata-a-broadwayworld-il-progetto-banda-di-comunita-conquista-new-york/ The social laboratory promoted by ANBG and the Ministry of Culture has landed on the world’s largest theatre network, thanks to the article co-authored by Chris Rabinowitz and the Orta Nova-born author Luciano Magaldi Sardella. There is a brass thread linking Piazza Mario Frasca to Broadway. It is called “Orta Nova Sound Lab” — the Community and Social Regeneration Band through Music — the project officially presented on 21 September last at the C-Lab MAO FM 19.77 of brothers Luca and Erminio Ferrandina, which is enjoying unprecedented media coverage for a band-cultural initiative born in the Province of Foggia. Its journalistic success was sealed on 28 September last by its arrival on BroadwayWorld, the world’s most authoritative portal dedicated to theatre and live performance, based in New York with over 1.5 million global monthly visits. A result that was by no means a foregone conclusion, which projects a story from the Apulian periphery into the international cultural news circuit. The article, entitled Orta Nova Sound Lab Launches Youth Community Band in Southern Italy, is jointly by-lined by New York editor Chris Rabinowitz, journalist for the American publication, and his Italian co-author Luciano Magaldi Sardella, an international author originally from Orta Nova, engineer, academic journalist, and researcher active between Italy and abroad. The dual Italo-American by-line symbolises how a “local good practice” can become global news when it is recounted with expertise and rootedness. The Project: The Band as Social Regeneration “Orta Nova Sound Lab” is promoted by the Associazione Nazionale Bande da Giro (ANBG), chaired by Benedetto Grillo, and was admitted for funding under the public call of the Ministry of Culture pursuant to Director General Decree of 7 April 2026, reg. no. 149, aimed at the “Strengthening of research activities and dissemination of musical practices in peripheries and in areas of high social vulnerability”. It is realized with the support of the Comune di Orta Nova and with the collaboration of a solid civic network: A.P.S. MAO FM 19.77, the Istituto di Istruzione Superiore “A. Olivetti”, the Istituto Comprensivo “Sandro Pertini”, the Music Art association, and the C.I.S.A. of Foggia. As BroadwayWorld itself emphasised, this is the first initiative in Italy to reinterpret the distinctive tradition of touring bands (bande da giro) and youth orchestras within a ministerial call dedicated to urban peripheries and social vulnerability. A model that dialogues explicitly with the spirit of the so-called “Caivano Decree” (Law Decree 123/2023) for combating youth distress, educational poverty, and juvenile crime. The idea, in its disarming simplicity, was summarised by the project director for ANBG, Antonella Spagnoletti: “The band is aggregation! The band is cohesion. Bringing these youngsters together, educating them, and enabling them to live in a manner different from the social-media world is among the primary objectives of our association.” A concept reiterated by the Mayor of Orta Nova, Eng. Domenico Di Vito: “This is an important project that can certainly make a difference compared with the past, because all the ingredients are there to network the entire cultural and social world that exists in Orta Nova and that must be valorised. The administration’s commitment is to ensure sustainability, structure, and continuity over time.” Taking part in the launch press conference, moderated by journalist Giuseppe Di Bisceglie, in addition to President Grillo, Director Spagnoletti, and Mayor Di Vito, were Regional Councillor Grazia Maria Starace, Councillor for relations with the third sector Sebastiano Battista, Councillor for Culture Vittoria Mastrogiacomo, and educational professor Alfredo Coppola, contact person for the Olivetti Institute. Why the Story Went International The “Orta Nova Sound Lab” band project demonstrates that when a project has anti-mafia roots, pedagogical value, and a credible institutional network, the press responds. From local and national titles such as Cassa Armonica, Ansa Puglia, TGNorba, Corriere della Sera Bari, RaiNews TGR Puglia, La Gazzetta del Mezzogiorno, Amica9TV, Brindisi In, Blasting News Italia, TRM Network, Secolo XIX, FoggiaToday, PlayNews24, Stato Quotidiano, and many others, which thoroughly documented the conference, the coverage reached “Broadway World”, which read the Orta Nova experience as a “social laboratory” capable of answering the mafia with music. This change of scale derives from joint work and also from the liaison work carried out by Luciano Magaldi Sardella, who, together with New York editor Chris Rabinowitz, succeeded in translating for an Anglophone audience the profound meaning of a town band which, in Apulia, is not folklore, but a civil garrison, a concrete alternative to the screen and to social disintegration. In a South often narrated only for its emergencies, Orta Nova chooses to be recounted for its capacity to generate community. And this time, the news has travelled around the world, starting from a piazza in the Daunia. The Calendar The pathway, which is entirely free of charge, provides instrumental workshops for wind and percussion, ensemble music lessons, and collective rehearsals with qualified teachers and conductors, open to aspiring musicians, families, schools, and citizens. The programme that has attracted the attention of the national and now international press is structured as follows: October 2026: parade of marching bands through the streets and public spaces of Orta Nova, to recover the historic value of the band as a popular and identity-based expression. November–December 2026: high-profile concert season with the Gran Concerto Bandistico di Conversano and the Gran Concerto Bandistico “Biagio Abbate” Città di Bisceglie, an artistic training ground for young pupils. Inclusion Focus: a special evening dedicated to women in music with the Orchestra Note di Puglia, an ensemble composed entirely of professional women musicians, to reinforce the values of equal opportunities. January 2027: first official concert of the newborn Community Band of Orta Nova, a foundational act and public restitution of the work accomplished. (translated)

Em junho, André Mendonça olhou pra Segunda Turma e avisou: autorizou a PF a abrir o iCloud do Sicário. A irmã dele já tinha visto o que estava “nas nuvens”. Disse que acabava com a família Vorcaro inteira. Um primo confirmou: ela viu coisa demais. Teve que tomar remédio. Mais de 100 dias depois, no meio da guerra no STF, o material que deixou a irmã passando mal ainda não chegou na mesa do relator. A nuvem que “acaba com a família toda” sumiu no ar. Ou alguém está segurando o download? #justiça #STF #política

Aviso de Manutenção da Versão 7.1 #StoriesofFrostSnow #GenshinSnezhnaya #GenshinImpact Caro(a) Viajante: A equipe de desenvolvimento planeja realizar uma manutenção de atualização em 2026/09/23 06:00 (UTC+8). Após a manutenção, o jogo será atualizado para a nova Versão 7.1 "Réquiem para o Reino dos Mortos". Além disso, o pré-download da Versão 7.1 já está disponível. O Viajante pode baixar parte dos recursos antecipadamente para acessar o jogo mais rapidamente após a conclusão da manutenção da atualização. #GenshinImpact #Manutenção #Atualização