Search

Hvordan endrer et maleri seg når vi ser på det gjennom øynene til en litterær figur? Mona Lisa — Leonardo da Vinci (1452–1519) Elizabeth Bennet ville kanskje smile av alle teoriene rundt det berømte smilet. Emma Woodhouse ville sannsynligvis straks prøve å tolke personligheten til kvinnen i portrettet. Vannliljer — Claude Monet (1840–1926) Anne Elliot kunne kanskje se tid, minner og forandring i dem. Mr. Darcy ville kanskje sette pris på nettopp roen og tilbakeholdenheten i bildet. Stjernenatt — Vincent van Gogh (1853–1890) Catherine Morland kunne gjøre den urolige himmelen til begynnelsen på et mysterium. Marianne Dashwood ville kanskje først legge merke til følelsen og først deretter landskapet. Disse figurene tilhører Jane Austens (1775–1817) verden, mens maleriene kommer fra svært forskjellige perioder. Kanskje en interessant måte å se på kunst på er å ikke bare spørre: «Hva ser jeg?» men også: «Hva ville en annen person se i dette maleriet?» #Kunsthistorie #BerømteMalerier #LeonardoDaVinci #ClaudeMonet #VincentVanGogh #KunstOgLitteratur #Museer #20260826 #CaptainWeb #Norsk

Hvordan ændrer et maleri sig, når vi ser på det gennem øjnene på en litterær figur? Mona Lisa — Leonardo da Vinci (1452–1519) Elizabeth Bennet ville måske smile af alle teorierne omkring det berømte smil. Emma Woodhouse ville sandsynligvis straks forsøge at tyde personligheden hos kvinden på portrættet. Åkander — Claude Monet (1840–1926) Anne Elliot ville måske se tid, erindring og forandring i dem. Mr. Darcy ville måske netop sætte pris på billedets ro og tilbageholdenhed. Stjernenatten — Vincent van Gogh (1853–1890) Catherine Morland kunne forvandle den urolige himmel til begyndelsen på et mysterium. Marianne Dashwood ville måske først lægge mærke til følelsen og først derefter landskabet. Disse figurer tilhører Jane Austens (1775–1817) verden, mens malerierne stammer fra meget forskellige perioder. Måske er en interessant måde at se på kunst på ikke kun at spørge: “Hvad ser jeg?” men også: “Hvad ville en anden se i dette maleri?” #Kunsthistorie #BerømteMalerier #LeonardoDaVinci #ClaudeMonet #VincentVanGogh #KunstOgLitteratur #Museer #20260826 #CaptainWeb #Dansk

Σαν ένας άνθρωπος που παρατηρώ εδώ και πολλα πολλά χρόνια τον Τιτανοτεραστιο μέχρι και στο πως φτιάχνει την γραβάτα του έχω να πω ότι ποτέ μου δεν θυμάμαι να έχει ένα τέτοιο συνεχόμενο χαμόγελο στα μούτρα του ούτε όταν σηκωναμε τη μια ευρωλίγκα μετά την άλλη...💚☘️ #paobc #GOAT https://t.co/FhNhbLzHOH #basketball #smile #success

How does a painting change when we look at it through the eyes of a literary character? Mona Lisa — Leonardo da Vinci (1452–1519) Elizabeth Bennet might smile at all the theories surrounding that famous smile. Emma Woodhouse would probably try at once to decipher the personality of the woman in the portrait. Water Lilies — Claude Monet (1840–1926) Anne Elliot might see time, memory, and change in it. Mr. Darcy might appreciate precisely the calm and restraint of the image. The Starry Night — Vincent van Gogh (1853–1890) Catherine Morland might turn the restless sky into the beginning of a mystery. Marianne Dashwood might notice the emotion first, and only then the landscape. These characters belong to the world of Jane Austen (1775–1817), while the paintings come from very different periods. Perhaps one interesting way to look at art is to ask not only: “What do I see?” but also: “What would someone else see in it?” #ArtHistory #FamousPaintings #LeonardoDaVinci #ClaudeMonet #VincentVanGogh #ArtAndLiterature #Museums #20260824 #CaptainWeb #English

How would Jane Austen’s (1775–1817) characters react to famous paintings? Mona Lisa — Leonardo da Vinci (1452–1519) Would Elizabeth Bennet be amused by all the interpretations built around the smile? Would Emma Woodhouse immediately try to “read” the personality of the woman in the portrait? Would Lady Catherine de Bourgh accept the mystery — or confidently explain what the expression really means? Water Lilies — Claude Monet (1840–1926) Would Mr. Darcy appreciate the quietness and restraint of the painting? Would Anne Elliot see something in it about time, memory, and things that change slowly? Would Marianne Dashwood simply be overwhelmed by the atmosphere? The Starry Night — Vincent van Gogh (1853–1890) Would Elizabeth Bennet be drawn to the energy and freedom of the image? Would Catherine Morland turn the restless sky into the beginning of a Gothic mystery? Would Marianne Dashwood notice the beauty first — or the unease? Perhaps the way a character looks at a painting tells us as much about the character as it does about the artwork. #0033= #JaneAusten #PrideAndPrejudice #Emma #NorthangerAbbey #SenseAndSensibility #Persuasion #ArtAndLiterature #ArtHistory #ArthurWren #English

🚨 ÚLTIMA HORA 🚨 💥 El nuevo motor Honda tan solo aportará en Zandvoort 15CV... de los 30 CV DISPONIBLES ⚠️ Han decidido comenzar con precaución ‼️ El objetivo es alcanzar los 30 CV si la fiabilidad y el rendimiento en pista confirman los datos obtenidos durante el desarrollo... 📰 @SmilexTech #F1 #Honda #Zandvoort

🎬 Un mensaje muy especial de @Lookmheewang y @sonyasarann desde Tailandia!! 🇹🇭 Sabemos que tenéis muchísimas ganas de verlas y conocerlas en persona, así que hoy os traemos una pequeña sorpresa: un vídeo único grabado por ellas para todas vosotras. No os vamos a contar más. Dadle al play y disfrutadlo 💌 ¡Vedlo hasta el final! 🤭 Y sí, estamos bastante seguras de que alguna sonrisa (y quizá alguna lagrimita 👀) va a caer, bestie. Cada vez queda menos para tenerlas en Madrid 🇪🇸✨ 🎬 A very special message from @Lookmheewang and @sonyasarann, straight from Thailand!! 🇹🇭 We know you’re all so excited to see them and meet them in person, so today we have a little surprise for you: a special video recorded by them just for all of you. We won’t say anything else. Just hit play and enjoy it 💌 Watch it until the end! 🤭 And yes, we’re pretty sure there’ll be a few smiles (and maybe even a few tears 👀), bestie. It won’t be long until they’re in Madrid! 🇪🇸✨ #LMSY #LMSYMadrid #LookmheeSonya #LMSY #LookmheeSonya #Madrid

🇫🇷💵💚 SMILE | En juin 2025, à Dijon, Adam, alors âgé de 11 ans, découvre 800 € dans un buisson. Avec sa mère, il décide de remettre l’argent à la police. Un an plus tard, personne n’ayant réclamé la somme, les policiers ont recontacté Adam et lui ont remis les 800 €. https://t.co/OMMhCdgeyk #générosité #histoireinspirante #Dijon

THE FBI WHISTLEBLOWER WHO BROKE THE CODE: THEY PLANNED TRUMP’S REMOVAL BEFORE THE INAUGURATION My name is redacted. My security clearance is still active. And I’m risking everything to tell you what I saw in the classified vaults beneath the Hoover Building. I was there. May 2, 2017. Four days after Comey was fired. I watched them open the file. I watched them name it. I watched them predicate it on a LIE. The investigation was called “Oxford Comma.” Not because of grammar. Because it was designed to be INVISIBLE. Hidden in plain sight. A code name that meant nothing to outsiders but everything to those who knew. The premise was simple: Trump was a Russian asset. Trump fired Comey to obstruct the Russia investigation. Therefore, Trump must be removed. But here’s what the declassified memos don’t tell you: I saw the REAL memo. The one that was redacted. The one they didn’t want you to see. It stated: “The goal is not truth. The goal is REMOVAL.” Those were the exact words. Not my interpretation. THEIR WORDS. Typed by FBI counterintelligence chief William Priestap. Approved by James Baker. Signed off by Andrew McCabe. “What’s our goal? Truth/Admission or to get him to lie, so we can prosecute him or get him fired?” Strzok wrote. That was the REAL investigation. Not seeking truth. MANUFACTURING LIES. They knew the Steele dossier was garbage. I personally reviewed the spreadsheet. Every single claim was marked: “UNVERIFIED,” “INTERNET RUMOR,” or “UNABLE TO CORROBORATE.” Igor Danchenko, Steele’s primary source? RUSSIAN ASSET. The FBI knew it. They had suspected it for YEARS. But they used his information anyway. Mike Flynn? They cleared him. Then they INVITED HIM TO AN INTERVIEW. Then they charged him with lying in that interview. The goal was ENTRAPMENT, not justice. I watched them do it. I watched them SMILE while they did it. The Steele dossier was paid for by Hillary Clinton’s campaign through her law firm. The FBI KNEW THIS. But they used it as the foundation for the entire investigation into a sitting president. This wasn’t counterintelligence. This was a COUP ATTEMPT. And the declassified memos are just the tip of the iceberg. The REAL evidence is still classified. The REAL conversations are still hidden. The REAL conspiracy is still buried. But I’m telling you: it exists. I saw it. I documented it. And when it comes out, it will SHOCK the world. Trump was RIGHT to fire Comey. Comey MISHANDLED the Clinton investigation. The FBI KNEW IT. But instead of accepting accountability, they opened a false investigation into Trump. They used the intelligence apparatus of the United States government to target a political opponent. They violated the Constitution. They violated the law. They violated their OATHS. And now they’re being exposed. The declassified memos are just the beginning. More is coming. Much more. Within 60 days, expect MAJOR revelations. Indictments are coming. The truth is coming out. The Deep State thought they were untouchable. They thought their crimes would stay hidden. They were WRONG. The vaults are opening. Files are being declassified. Truth is coming. History will record this as the day the Deep State FELL. OXFORD-COMMA-EXPOSED FBI-COUP-REVEALED

R.I.P., Kavinsky. 💔 O DJ e produtor francês faleceu em Paris, nesta terça-feira (28), aos 50 anos. Ele foi um dos nomes mais emblemáticos da música eletrônica, marcando gerações com “Nightcall” e influenciando também Lady Gaga ao longo de diferentes momentos de sua carreira. No especial “MAYHEM: Requiem”, Gaga incorporou elementos do hit de Kavinsky em uma releitura eletrônica em “Die With A Smile”, o que se tornou uma das performances mais elogiadas pelos fãs. Na época, Gaga disse: “Kavinsky foi uma das minhas grandes influências em vários álbuns. Eu queria reinventar ‘Die With A Smile’ usando ‘Nightcall’, com uma energia eletrônica francesa e um arpejo incessante que trouxesse uma tensão mais distópica e, talvez, até o medo do desconhecido e do futuro.” #RIP #Kavinsky #MusicInfluence

Hoy siento un profundo dolor en el corazón. Dolor por el irrespeto hacia miles de madres colombianas y por el desprecio hacia el sufrimiento de 18.677 niños y niñas que fuimos secuestrados, y abusados, asesinados ,por los criminales pedófilos de las FARC. La deshumanización demostrada por esta influencer petrista @macafolla y por la congresista @smilelalis avergüenza. Burlarse del dolor de quienes perdieron nuestra infancia es una muestra de una profunda falta de empatía y de respeto por las miles de sobrevivientes de la tragedia del reclutamiento, niños y niñas que fuimos sometidos a los crímenes más atroces de lesa humanidad. #Justicia #Respeto #Empatía

La «comediante» petrista conocida como @macafolla y la congresista electa @smilelalis se toman con bastante humor el reclutamiento forzado infantil. Listo, pero luego que no se pongan a chillar y a hacer show cuando les saquen burlas a ellas 🤷🏻 https://t.co/ZbW7Fs1Hu7 #Humor #Reclutamiento #Política

Bram Tchaikovsky, geboren als Peter Bramall, (Lincolnshire, 10 november 1950) is een Britse zanger en gitarist. Tchaikovsky speelde vanaf de late jaren 1960 in plaatselijke bands in zijn geboortestad Lincolnshire. In 1977 was hij een van de oprichters van The Motors. Hij speelde op de beide eerste albums van de band, die zich beide konden plaatsen in de Britse albumhitlijst en meerdere hitsingles leverden. De geschiedenis van The Motors werd bepaald door de beide songwriters Andy McMaster en Nick Garvey. Ontevreden met de situatie, nam Tchaikovsky tijdens de productie van het tweede bandalbum de single Sarah Smiles op. Met deze single lukte het hem om een platencontract te tekenen bij het nieuw opgerichte Radar Records en een eigen band onder zijn naam te formeren. Verdere leden waren Micky Broadbent (basgitaar) en Keither Boyce (drums). Het eerste album Strange Man, Changed Man bevatte naast Sarah Smiles ook het door Ronald Thomas, de bassist van de Heavy Metal Kids, geschreven nummer Girl of My Dreams. https://hvdommelen.nl/ru/TchaikovskyB.html

Life after a devastating earthquake is hard for everyone. For children in Venezuela, it’s maybe even harder. That’s why Day of the Children was so important this week, and why @wckitchen worked hard to bring a smile and some food to these children in Caracas. Each box included https://t.co/L0BgyBRbyq #EarthquakeRelief #Venezuela #DayoftheChildren #VE