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Manga Barcelona announced that HYŪGANATSU, author of *Los Diarios de la Botica*, would attend the 32nd edition of the event in collaboration with Devir Manga, Distrito Manga, and Ivrea. Uririn, the javelin who, according to the organization, publicly represents the author, would also attend. Activities were scheduled for December 5 and 6, with signing sessions on the 6th. The three publishers would later share details about how it would operate. #MangaBarcelona #Hyūganatsu #CulturaManga (translated)

Marie Desmeures, editorial director at Éditions Noir sur Blanc, expresses her skepticism about the use of artificial intelligence in literary writing, emphasizing her preference for works with flaws that reveal human involvement, while commenting on the impact of the Orélien Affair on the publishing industry. #IntelligenceArtificielle #Édition #Plagiat (translated)

Briefs reported that CNews had asked the Minister of Education whether he intended to summon the principal of a high school who had refused to respond to the channel due to its editorial line, described as far-right by the author. The minister had replied that everyone was free to respond or not. https://t.co/NKYAaGvpry #Politique #Éducation #Médias (translated)

Bastion wrote that the principal of Vauquelin High School, whom he described as having been attacked and set on fire in Paris, had expressed her dissatisfaction when a CNEWS microphone was offered to her. He reported that she said she did not agree with the channel's editorial line. https://t.co/cH729bVQNK #Paris #CNEWS #Education (translated)

Blue White Red! stated that the principal's high school had just been set on fire and stormed by rioters, while endangered students were confined. The account accused her of only caring about the choice of media she responded to, depending on their editorial line, and deemed her attitude pathetic. https://t.co/XtiBLFzi36 #éducation #violence #société (translated)

Médias Citoyens stated that Ilan Gabet had appeared eight times on the Estelle Midi program on RMC between May 28 and October 2, 2026, on May 28, June 29, July 7, August 31, September 10, September 16, September 25, and October 2. According to the collective, the presenter and the channel's banners had each time introduced him as "a law student," without mentioning his public political engagement. Médias Citoyens indicated that Gabet identified himself as an activist and expressed his closeness to La France Insoumise and Jean-Luc Mélenchon, particularly by relaying their positions. The collective also noted that he had shared a message from Mélenchon on the dynamics of LFI and the ability of other left-wing parties to compete with it. Considering that this presentation lacked transparency regarding the profile of a guest in a debate and opinion program, Médias Citoyens announced that it had referred the matter to ARCOM. #politique #transparence #médias (translated)

The author had shared an editorial by Angelo Panebianco for the Corriere on Putin's ambitions in Europe. He had presented it as an analysis of the blackmail related to the hybrid war, the nuclear threat, and the fear of escalation, described in the editorial as a factor that paralyzed the continent. The post ended while introducing the arguments used to support a thesis. https://t.co/VhDEAsQotk #Europa #Putin #Guerra #EU #RU (translated)

Herrera explained the experience of 20minutos in creating a code of ethics to "regulate the use of artificial intelligence in editorial processes" and pointed out that this framework allows for the incorporation of technology into daily work to move towards "a more social, direct, and agile medium." This allows for "always maintaining human supervision over content and information production processes." #InteligenciaArtificial #Periodismo #ÉticaPeriodística (translated)

A special Mediapart program on "the Bardella case" lasting one hour, emergency set, serious faces, and zero documents. Not a single email, not a screenshot, not a header, not a metadata. Nothing. Just Antton Rouget admitting he cannot deliver "the slightest proof for the moment" and Lénaïg Bredoux, the editorial co-director, who explains to us in a scholarly manner that publishing the proofs is "not easy." Oh really. You have "technically authenticated" writings from 2013, you swear it's solid, that Bardella is indeed the author, that it’s of historical gravity, but presenting the evidence, right now, on camera, after the RN has called you manipulators? Too complicated. The secret of sources, you see. The sources that we protect so fiercely that we end up protecting the absence of proof as well. The new reading contract of Mediapart: "Believe us on our word. It's serious. We tell you. Subscribe." Thirteen years later, private conversations of a 17-18 year old kid, and we can't even show a blacked-out version. This is investigative journalism in 2026: the investigation remains in the vault, the public must kneel before the word of a rag that plays the shocked virgin as soon as we ask it to show what it claims to possess. They really think we are fools. And the funniest thing is that they seem genuinely surprised that we notice. #Journalisme #Mediapart #AffaireBardella (translated)

Panic and smells of diarrhea on the Médiapart plateau @Mediapart urgently summons its scribes following the press conference of @RNational_off, accusing the Trotskyist rag of manipulation. @AnttonRouget, the co-author of the incriminating article against @J_Bardella admits he cannot provide any evidence for now. The hardworking scribblers hide behind a hypothetical "source confidentiality" and merely ask readers to believe in their "revelations" and to acknowledge their "seriousness," playing the shocked virgins, disguised as rabbits caught in the headlights. One hour of broadcasting: not a shadow of factual evidence. Soap operas are no longer what they used to be. We therefore return sheepishly to an episode of Inspector Derrick, whose plot is better crafted and the action more thrilling. At Air Libre presented by @DechirSamia with @aberteau_, @LenaBred, (co-editorial director of Mediapart), @YoumniKezzouf #Mediapart #Journalisme #Actualités (translated)

Redazioni a Torino e New York e giornalismo di qualità, ecco come sarà Stampa UsaMaurizio Molinari, direttore editoriale del Gruppo SAE, presenta alle OGR di Torino La Stampa Usa, il nuovo portale digitale in inglese che debutterà il 13 ottobre. #StampaUsa #GiornalismoDiQualità #CulturaItaliana

It’s Time to Cry Wolf Over A.I. https://t.co/STbCeiDoTB "È giunto il momento di gridare «al lupo, al lupo» sull'A.I." così Thomas L. Friedman nel suo editoriale per il #NYTimes che spiega "quando ripenso alle più grandi tragedie di cui mi sono occupato come giornalista — https://t.co/GZRXVoNKsM #AI #CryingWolf #NYTimes #IT #US

El año pasado, 70 autores, entre ellos Margaret Atwood y Jonathan Franzen, firmaron una carta abierta dirigida a las editoriales expresando su preocupación por la IA generativa y pidiéndoles «el compromiso de no publicar nunca libros creados por máquinas». #InteligenciaArtificial #Literatura #Editoriales

El año pasado, 70 autores, entre ellos Margaret Atwood y Jonathan Franzen, firmaron una carta abierta dirigida a las editoriales expresando su preocupación por la IA generativa y pidiéndoles «el compromiso de no publicar nunca libros creados por máquinas». #InteligenciaArtificial #Literatura #Editoriales

La creciente sospecha sobre el uso de inteligencia artificial en la escritura está llevando al sector editorial a un caos absoluto, con importantes acuerdos cancelados y un debate urgente sobre la autoría y la autenticidad en un contexto donde las editoriales luchan por encontrar una posición clara frente a esta tecnología. #InteligenciaArtificial #Literatura #Editoriales