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RESULTADO CENTRAL EXPERIENCE | REGISTRO HISTÓRICO Parabéns, pessoal! Vocês foram os sortudos selecionados para viver uma experiência única no @registrohistorico em Ribeirão Preto. 💜 O contato será realizado ainda hoje via e-mail. https://t.co/05XyvgstT6 #ExperiênciaÚnica #RibeirãoPreto #RegistroHistórico

The initiative of the Alzheimer Belgium association opens museums to people suffering from Alzheimer's disease, thus offering enriching and interactive experiences that promote moments of clarity and exchange, as illustrated by the testimony of a participant who expresses herself for the first time during the visit. (translated)

“TEATRO EDICOLA” OF SAN SEVERO BECOMES AN INTERNATIONAL CASE STUDY IN THE “STANFORD SOCIAL INNOVATION REVIEW (SSIR)” — STANFORD UNIVERSITY SOURCE: https://l1nq.com/rruntbb LA GAZZETTA DI SAN SEVERO SAN SEVERO (FG) — Six persons enter a news kiosk. Before them lie no newspapers, magazines, or tobacco, but a theatrical stage measuring less than two square metres. The actors stand but a few paces from the spectators, with scarce any separation betwixt those who perform and those who behold. It is in this manner that in San Severo a place abandoned for years hath begun to live anew. And today that diminutive theatrical experiment hath fallen beneath the glare of international attention. It is the story of the “Teatro Edicola”, the project realised by the company Foyer ’97, under the artistic direction of Francesco Gravino, which hath transformed an old news kiosk in Via Tondi into one of the smallest stages ever conceived. The project commenced on 27th March last, with a formula as simple as it is original: six seats, a stage of most exiguous dimensions, and performances lasting but a few minutes. A minimal distance betwixt public and performers that doth wholly alter the traditional relationship betwixt spectator and theatre. The wager, however, was forthwith rewarded by the public. More than 60 persons attended the performances in a single afternoon, and the three days of the inaugural season registered a complete sold-out. From a local experiment, the “Teatro Edicola” hath thus become a case capable of attracting attention far beyond the confines of the Province of Foggia. In September 2026, the Stanford Social Innovation Review (SSIR), the journal of Stanford University, shall publish upon its website and in its Fall 2026 print edition the reportage “The Six-Seat Revolution”, authored by Dr Luciano Magaldi Sardella and edited by Deputy Editor David V. Johnson. The interest of the American review concerneth not merely the originality of the theatrical proposition. The Teatro Edicola is, in fact, observed as a potential paradigm of social innovation and low-cost urban regeneration. Become a Medium member The idea is particularly compelling in a country such as Italy, wherein numerous news kiosks have ceased their activity and risk becoming vacant interstices within the urban fabric. The question, at bottom, is simple: can a place born to sell newspapers become once more a locus of encounter? In San Severo, the answer hath been entrusted to the theatre. The kiosk hath not been merely restored in a physical sense. It hath changed its function, transforming itself into a place where artists encounter the public directly and where the performance becometh part of the quotidian life of the street. “The theatre cometh into the street wherein thou walkest every day,” Francesco Gravino hath explained, thus synthesising the philosophy underpinning the project. And it is precisely this aspect that hath rendered the experience interesting also upon the plane of its potential replicability. Initial requests for information have already arrived from other cities, amongst them Lucca and Rome, interested in learning of the model and the modalities for its realisation. The strength of the Teatro Edicola resideth also in its apparent disproportion: a minimal investment and space to produce a cultural effect far greater. There is no need for a grand theatre, an auditorium of hundreds of seats, or complex structures. An unused space sufficeth, together with an idea and the will to restore it to the community. That old kiosk in Via Tondi, therefore, recounteth something that goeth beyond the theatre. It recounteth the possibility of rethinking the spaces of our cities, restoring a social function to places that seemed to have definitively lost it.

🚨🆕 Rodri : “J’ai toujours pensé que je terminerais ma carrière à #ManCity, parce que ce club m’a tout donné.” : "J’ai toujours pensé que je terminerais ma carrière à Manchester City, parce que ce club m’a tout donné. J’y ai été heureux et j’ai vécu l’une des plus belles générations de l’histoire du football anglais, avec l’entraîneur que nous avions [Pep Guardiola]. Je n’ai jamais envisagé de partir. Mais un changement de cycle s’est produit. Après la Coupe du monde, j’ai pris le temps de réfléchir et j’en suis arrivé à la conclusion qu’il serait peut-être préférable de vivre une nouvelle expérience. Le Barça était mon choix." [via @LaVanguardia] #ManchesterCity #Rodri #Football

🚨🚨 POUR RODRI 🇪🇸, LE BARÇA EST LOIN D’ÊTRE UN FAVORI POUR LA LIGUE DES CHAMPIONS (pour lui l’équipe doit être PLUS SOLIDE) !!! ❌👇 🗣️ « À notre portée ? OUI. JE PENSE PAS QUE NOUS SOMMES FAVORIS ! Il faut comprendre d’où l’on vient et ce qu’il faut pour être champion. Cette équipe doit ENCORE CORRIGER PLUSIEURS CHOSES pour le devenir : les cartons rouges, les penaltys concédés, le fait de ne pas concéder plus que nécessaire…. IL VAUT MIEUX ÊTRE UN PEU MOINS BON DEVANT MAIS ÊTRE + RÉGULIER ET SOLIDE ! DES JOUEURS COMME MOI VIENNENT AUSSI UN PEU POUR ÇA : pour grandir et apporter à l’équipe cette dimension qui, selon moi, est importante pour gagner des titres aussi particuliers que la Ligue des champions. Parce que je pense que la Ligue des champions n’est pas un tournoi qui récompense forcément la meilleure équipe. C’EST UNE COMPÉTITION DE MOMENTS, où il faut savoir comprendre et gérer ces moments-là. Mais tout cela est aussi lié à l’expérience. Je l’ai toujours dit : avant de gagner, il faut perdre et il faut apprendre. Ceux d’entre nous qui ont réussi à remporter des titres importants le savent. (…) Maintenant, si tu me demandes s’il y a des chances de la gagner : c’est justement pour ça que je suis venu ici ! 😁🏆💙❤️ » 🎙️ Mundo Deportivo #LigueDesChampions #FCBarcelona #Football

Ukrainian naval officer Yulian Pylypei, recently released from detention in Russia after being captured in Mariupol, shares his testimony about the horrors of his experience, his difficulties in adapting to civilian life, and his hope of becoming a communication expert through a leadership program for veterans. (translated)