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Tomorrow, the debate on Globo will be a slaughter with President Lula, even though he won't be there. They had the audacity to place Lula's sign there, and he will be randomly selected as if he were present and will be attacked. Attacked. Tomorrow, we will see Lula being flayed in this disgusting debate. With a bunch of fake news. We need to show that they are in coup mode because they are simply going after him. It's a coup. They didn't even show the report about Flávio Bolsonaro yesterday, about the prostitutes and the three hundred thousand reais Rolex. They don't even explore anything about Flávio Bolsonaro, not in Fantástico, nowhere. If Globo weren't doing this, attacking Lula with Lulinha, with everything else, and defending Flávio Bolsonaro, we wouldn't be in this situation. If they had explored the Dark Horse the way they should have, if they had done what should have been done, we wouldn't be here like this. Globo today is the biggest enemy of President Lula's campaign. This is on purpose. Everyone knows. Everyone is talking about it. It's a movement, and we need to hit hard. Because tomorrow the debate will be to eliminate any chance of Lula being elected in the first round. If we are not aware of this and do not work on it, we are in deep trouble. That's all I have to say. #Lula #Globo #FakeNews (translated)

Για να καταλάβετε το μέγεθος της αριστερής προπαγάνδας. Στο @politico έχουν σήμερα ένα άρθρο για τον θάνατο του Μαζωνάκη και τις συνέπειές του κλπ https://t.co/fGzG91FOjz Εκεί ο κ. Ηλίας Μόσιαλος ακυρώνοντας τον επιστημονικό του ρόλο και μιλώντας ως πρώην βουλευτής του ΠΑΣΟΚ του 2010-2012, μας είπε ότι τα ψηφιακά εργαλεία στην υγεία φτιάχτηκαν τότε και μετά σταμάτησαν.ζζζΣας καλώ να δείτε στο κινητό σας τώρα το my health app και να διαπιστώσετε εάν αυτό που ισχυρίστηκε για να με πλήξει, έχει το παραμικρό ίχνος αλήθειας. Η ύπαρξη του Ηλεκτρονικού Φακέλου Υγείας στο κινητό μας, η δυνατότητα να βλέπουμε τις εξετάσεις μας σε πραγματικό χρόνο, να κλείσουμε ραντεβού κλπ είναι η καλύτερη απάντηση στα ψέματά τους. Κρίμα κάποτε φαινόταν και σοβαρός…. «Elias Mossialos, director of LSE Health, a world-leading multidisciplinary research centre, says that Greece was once ahead of the game in health care and medical practice. As part of its bailout reforms in 2010-2011, electronic prescriptions were imposed, making the country pioneering by European standards. “But the system stopped there. Patient records never caught up, and the digital infrastructure that could have become the backbone of a modern health system was left half built,” Mossialos told POLITICO» Ο Ηλίας Μόσιαλος, διευθυντής του LSE Health, ενός από τα κορυφαία διεπιστημονικά ερευνητικά κέντρα παγκοσμίως, επισημαίνει ότι η Ελλάδα κάποτε βρισκόταν μπροστά από τις εξελίξεις στον τομέα της υγειονομικής περίθαλψης και της ιατρικής πρακτικής. Στο πλαίσιο των μεταρρυθμίσεων που επιβλήθηκαν με τα προγράμματα διάσωσης το 2010-2011, καθιερώθηκε η ηλεκτρονική συνταγογράφηση, καθιστώντας την Ελλάδα πρωτοπόρο για τα ευρωπαϊκά δεδομένα. «Όμως το σύστημα σταμάτησε εκεί. Οι ηλεκτρονικοί φάκελοι των ασθενών δεν ακολούθησαν την ίδια πορεία και η ψηφιακή υποδομή, η οποία θα μπορούσε να αποτελέσει τη ραχοκοκαλιά ενός σύγχρονου συστήματος υγείας, έμεινε ημιτελής», δήλωσε ο Μόσιαλος στο POLITICO. #ΥγειονομικήΠερίθαλψη #ΨηφιακήΥγεία #Προπαγάνδα

"Populaire. Toutes nos histoires" : la Seine-Saint-Denis lance une "riposte mémorielle à la droite" en créant un Puy-du-Fou de gauche, financé par de l'argent public, sous le haut patronage de Patrick Boucheron et Guillaume Mazeau https://t.co/Lhymmnjka6 https://t.co/lSEmAepoAW #SeineSaintDenis #Mémoire #Politique

From Yale University to Foggia: World Staging Premiere of Umberto Giordano's “Marina” at Foggia's Teatro Umberto Giordano SOURCE: https://www.linkedin.com/pulse/from-yale-university-foggia-world-premi%C3%A8re-scenic-sardella-ph-d--id9de/ SOURCE: https://www.foggiareporter.it/dalla-yale-university-a-foggia-la-prima-mondiale-in-forma-scenica-di-marina-al-teatro-giordano.html (With heartfelt thanks to the distinguished journalist, Dr Christiana Lenoci…) From the Frederick R. Koch Collection of the Beinecke Rare Book and Manuscript Library at Yale University to Foggia. Such is the extraordinary journey of Marina, Umberto Giordano’s first opera, which—after 138 years of oblivion—received its World Première in scenic form on 5 June 2026 at the Umberto Giordano Theatre in Foggia, inaugurating the GIO Festival – Giordano International Opera Festival. This remarkable rediscovery is recalled by Luciano Magaldi Sardella, Contributing Review of Books Critic at the London School of Economics (LSE). The project, conceived by Gianna Fratta and the artistic direction of the GIO Festival, seeks to transform Foggia, the Tavoliere plain, the Monti Dauni and the Gargano into a widespread stage dedicated to the city’s native composer, following the model of the great festivals devoted to Verdi, Rossini and Bellini. The vanished score At the age of twenty‑one, Umberto Giordano entered the Sonzogno Competition in Milan with Marina, a one‑act melodrama. Among seventy‑two competitors, he ranked within the top twelve. The prize was awarded to Pietro Mascagni’s Cavalleria rusticana. Giordano received an honourable mention, withdrew the score, and recycled part of its music in his later Mala Vita (1892). After his death in 1948, the manuscript disappeared and—entirely legally—ended up catalogued and forgotten within Yale’s collection. It was brought back to light by the musicologist and conductor Andreas Gies who, while studying the works of Leoncavallo, identified the autograph score in Yale’s online catalogue. Together with his colleague from San Severo, Emanuele d’Angelo, Gies prepared a rigorous critical edition that restored the work’s readability. Following its absolute première in concert form at the Teatro Dal Verme in Milan in February 2026—the very theatre that witnessed the early steps of Puccini and Leoncavallo—recorded live by Decca Classics with Eleonora Buratto in the title role and Freddie De Tommaso as Giorgio, praised by Gramophone and The Times of London, Marina finally returned home. Foggia reclaims it On 5 June 2026, the Umberto Giordano Theatre hosted the World Première in scenic form. The production was directed by Giandomenico Vaccari, who transposed the action to the era of the First World War; conducted by Matteo Dal Maso, winner of the Donatella Flick LSO Conducting Competition; and featured Valeria Sepe as Marina. A historic event for a city that lends its name to both its Theatre and its Conservatoire, yet until now had been the only among the cities of Italy’s great opera composers without a festival entirely dedicated to its own. The GIO Festival, from 5 to 20 June, unfolded across sixteen days and more than twenty events in seven municipalities of the Capitanata—Foggia, Manfredonia, Peschici, Vieste, Biccari, Roseto Valfortore and Torremaggiore—uniting opera, jazz, cinema and dance. The finale: opera as urban intervention On the evening of 20 June 2026, thirteen lorries arrived in Piazza Cavour in Foggia from Milan. They carried the entire production apparatus of Teatro alla Scala. The square was transformed into an open‑air theatre for Giordano’s Andrea Chénier, conducted by Gianna Fratta and featuring Maria Agresta and Jorge de León, before thousands of citizens. The opera of a revolutionary, erupting into the summer air of the city where Giordano was born. A gesture of proximity theatre demonstrating what a manuscript can achieve: turning a forgotten archive into a driver of economic and touristic development for the region, with Confcommercio’s puzzle‑based itineraries, Giordano‑themed menus, and QR codes featuring a digital avatar of the composer. Marina was lost for 138 years. To bring it back, six months, a library card, and a festival were enough.

Dalla Yale University a Foggia: la Prima Mondiale in forma scenica di “Marina” al Teatro Umberto Giordano di Foggia SOURCE: https://www.linkedin.com/pulse/dalla-yale-university-foggia-la-prima-mondiale-forma-sardella-ph-d--jjthe/ SOURCE: https://www.foggiareporter.it/dalla-yale-university-a-foggia-la-prima-mondiale-in-forma-scenica-di-marina-al-teatro-giordano.html (Ringraziando la meravigliosa giornalista dr.ssa Christiana Lenoci...) Dalla Frederick R. Koch Collection della Beinecke Rare Book and Manuscript Library della Yale University a Foggia. È il viaggio incredibile di Marina, la prima opera di Umberto Giordano, che dopo 138 anni di oblio ha avuto la sua prima mondiale in forma scenica il 5 giugno 2026 al Teatro Umberto Giordano di Foggia, come evento di apertura del GIO Festival – Giordano International Opera Festival. A ricordarlo è Luciano Magaldi Sardella, Contributing ” Review of Books” Critic, London School of Economics (LSE). Il progetto è stato ideato da Gianna Fratta e dalla direzione artistica del GIO Festival per trasformare Foggia, il Tavoliere, i Monti Dauni e il Gargano in un palcoscenico diffuso dedicato al compositore foggiano, sul modello dei grandi festival di Verdi, Rossini e Bellini. La partitura scomparsa Il ventunenne Umberto Giordano partecipa al Concorso Sonzogno di Milano con Marina, melodramma in un atto. Su 72 concorrenti, si piazza tra i primi dodici. Il premio va alla Cavalleria rusticana di Pietro Mascagni. Giordano ottiene una menzione d’onore, ritira la partitura e ne ricicla parte della musica nella successiva Mala Vita (1892). Dopo la sua morte, nel 1948, il manoscritto scompare e finisce, del tutto legalmente, catalogato e dimenticato nella collezione di Yale. A riportarla alla luce è stato il musicologo e direttore d’orchestra Andreas Gies che, studiando le opere di Leoncavallo, ha individuato la partitura autografa nel catalogo online di Yale. Insieme al collega sanseverese Emanuele d’Angelo, Gies ha curato una rigorosa edizione critica che ha restituito leggibilità all’opera. Dopo la prima assoluta in forma di concerto al Teatro Dal Verme di Milano nel febbraio 2026 – lo stesso teatro che vide gli esordi di Puccini e Leoncavallo – incisa dal vivo da Decca Classics con Eleonora Buratto nel ruolo del titolo e Freddie De Tommaso come Giorgio, lodata da Gramophone e dal Times di Londra, Marina è finalmente tornata a casa. Foggia se la riprende Il 5 giugno 2026, al Teatro Umberto Giordano, la prima scenica mondiale. Regia di Giandomenico Vaccari, che ha trasposto l’azione all’epoca della Prima Guerra Mondiale, direzione di Matteo Dal Maso, vincitore del Donatella Flick LSO Conducting Competition, e Valeria Sepe nel ruolo di Marina. Un evento storico per una città che dà il nome al suo Teatro e al suo Conservatorio, ma che fino ad oggi era l’unica tra le città dei grandi operisti italiani senza un festival interamente dedicato al suo compositore. Il GIO Festival, dal 5 al 20 giugno, si è diffuso in 16 giorni e oltre 20 eventi in sette comuni della Capitanata – Foggia, Manfredonia, Peschici, Vieste, Biccari, Roseto Valfortore e Torremaggiore – unendo opera, jazz, cinema e danza. Il finale: l’opera come intervento urbano La sera del 20 giugno 2026, tredici tir sono entrati in Piazza Cavour a Foggia da Milano. Trasportavano l’intero apparato produttivo del Teatro alla Scala. La piazza si è trasformata in un teatro a cielo aperto per Andrea Chénier di Umberto Giordano, diretto da Gianna Fratta con Maria Agresta e Jorge de León, davanti a migliaia di cittadini. L’opera di un rivoluzionario, esplosa nell’aria d’estate della città dove Giordano è nato. Un’operazione di teatro di prossimità che ha dimostrato cosa può fare un manoscritto: trasformare un archivio dimenticato in un motore di sviluppo economico e turistico per il territorio, con percorsi a enigmi di Confcommercio, menù a tema giordaniano e QR code con avatar digitale del compositore. Marina è stata perduta per 138 anni. Per riportarla indietro sono bastati sei mesi, una tessera di biblioteca e un festival.

LONDON SCHOOL OF ECONOMICS REVIEW OF BOOKS for MIT (MASSACHUSSETS INTITUTE OF TECHNOLOGY) PRESS by Dr. Luciano Magaldi Sardella SOURCE: https://medium.com/@ingnucllms/london-school-of-economics-review-of-books-for-mit-massachussets-intitute-of-technology-press-by-95330de802b5 SOURCE: https://blogs.lse.ac.uk/.../book-review-the-credibility.../ “The Credibility Crisis in Science: Tweakers, Fraudsters, and the Manipulation of Empirical Results” by Thomas Plümper, Eric Neumayer, pubblicato dal prestigioso “The MIT Press”. DOI: https://lnkd.in/e-eUHf-5 ISBN elettronico: 9780262051293 Publication date: 2026 FONTE: https://lnkd.in/eK3pimi3... “The Credibility Crisis in Science: Tweakers, Fraudsters, and the Manipulation of Empirical Results” by Thomas Plümper, Eric Neumayer, published on The MIT Press DOI: https://lnkd.in/e-eUHf-5 ISBN electronic: 9780262051293 Publication date: 2026 Thanking in advance: - Eric Neumayer, Deputy President and Vice Chancellor & Vice President (Planning and Resources) at The London School of Economics and Political Science (LSE); - Thomas Plümper, Professor of Quantitative Social Research at the Vienna University of Economics, Department of Socioeconomics. - Anna D’Alton, Managing Editor at London School of Economics (LSE) Review of Books. Sources: https://lnkd.in/eUFy-AB2, https://lnkd.in/eBy5XZB4, https://lnkd.in/eg4dCNND, https://lnkd.in/ebwPrUSa, I am genuinely delighted — and deeply grateful — for the gracious words shared by Eric Neumayer regarding my review of The Credibility Crisis in Science, co‑authored with Thomas Plümper and published by The MIT Press. To read that my analysis was received as “crisp” and “clearly written” is profoundly rewarding, particularly when such appreciation comes directly from the authors themselves. Their book confronts a question of pressing significance: what becomes of scientific inquiry when the imperative to publish begins to overshadow the pursuit of truth? For anyone interested in understanding the structural pressures that shape contemporary research practices, I warmly encourage you to explore my review for the LSE Review of Books, and then immerse yourselves in the book itself. It is a lucid, incisive, and essential contribution to an increasingly urgent debate. My sincere thanks once again to the authors for their generosity of spirit and for the intellectual rigour they continue to bring to the international conversation on scientific credibility.

LONDON SCHOOL OF ECONOMICS REVIEW OF BOOKS per MIT PRESS a cura del dr. Luciano Magaldi Sardella SOURCE: https://medium.com/@ingnucllms/london-school-of-economics-review-of-books-per-mit-press-a-cura-del-dr-luciano-magaldi-sardella-151ffd82a73d SOURCE: https://blogs.lse.ac.uk/.../book-review-the-credibility.../?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBEwdXEzQ3gyb1o3TkxYMm9La3NydGMGYXBwX2lkEDIyMjAzOTE3ODgyMDA4OTIAAR5sUtSzrkVZ-kFxXxOnHDmr_GiWRQtQnL-LUny6P26_2sxKxorS5znX8eD8wA_aem_5Xc2aEgKfmDsEoAfpYbRHQ “The Credibility Crisis in Science: Tweakers, Fraudsters, and the Manipulation of Empirical Results”, di Thomas Plümper ed Eric Neumayer, pubblicato dal prestigioso The MIT Press. DOI: https://lnkd.in/e-eUHf-5 ISBN elettronico: 9780262051293 Data di pubblicazione: 2026 Fonte: https://direct.mit.edu/.../The-Credibility-Crisis-in... “The Credibility Crisis in Science: Tweakers, Fraudsters, and the Manipulation of Empirical Results”, del Prof. Thomas Plümper e del Prof. Eric Neumayer, pubblicato da The MIT Press! DOI: https://lnkd.in/e-eUHf-5 ISBN elettronico: 9780262051293 Data di pubblicazione: 2026 I miei più sentiti ringraziamenti anticipati: Eric Neumayer, Deputy President e Vice Chancellor & Vice President (Planning and Resources) presso la London School of Economics and Political Science (LSE); Thomas Plümper, Professore di Quantitative Social Research presso la Vienna University of Economics, Department of Socioeconomics; Anna D’Alton, Managing Editor presso la London School of Economics (LSE) Review of Books. Fonti: https://lnkd.in/eUFy-AB2 https://lnkd.in/eBy5XZB4 https://lnkd.in/eg4dCNND https://lnkd.in/ebwPrUSa Sono sinceramente lieto (e profondamente grato) per le parole generose condivise da Eric Neumayer in merito alla mia recensione di “The Credibility Crisis in Science”, volume co‑firmato con Thomas Plümper e pubblicato da The MIT Press. Leggere che la mia analisi è stata percepita come “concisa” e “chiaramente scritta” è motivo di autentica soddisfazione, soprattutto quando tale apprezzamento proviene direttamente dagli autori dell’opera. Il loro libro affronta una questione di stringente rilevanza: che cosa accade all’indagine scientifica quando l’imperativo di pubblicare finisce per sovrastare la ricerca della verità? Per chiunque desideri comprendere le pressioni strutturali che plasmano le pratiche di ricerca contemporanee, incoraggio vivamente a consultare la mia recensione per la LSE Review of Books, e successivamente a immergersi nella lettura del volume stesso. Si tratta di un contributo lucido, incisivo ed essenziale a un dibattito sempre più urgente. Rinnovo i miei più sinceri ringraziamenti agli autori per la loro generosità intellettuale e per il rigore che continuano a portare nella conversazione internazionale sulla credibilità scientifica.

LUCIANO MAGALDI SARDELLA: ACADEMIC BOOK REVIEW OF"LONDON SCHOOL OF ECONOMICS (LSE)" PUBLISHED BY THE"PRINCETON UNIVERSITY PRESS" SOURCE: https://www.linkedin.com/pulse/luciano-magaldi-sardella-academic-book-review-school-sardella-ph-d--bsvse/ LUCIANO MAGALDI SARDELLA'S LITERARY–ACADEMIC REVIEW LONDON SCHOOL OF ECONOMICS (LSE) PUBLISHED BY PRINCETON UNIVERSITY PRESS I am delighted to share a piece of news that marks a meaningful moment in my trajectory as an academic literary reviewer for the London School of Economics (LSE). My review of the volume Crisis Cycle: Challenges, Evolution, and Future of the Euro, published by Princeton University Press, has been included among the assessments cited on the book’s official webpage. To find myself placed alongside distinguished commentators such as John H. Cochrane, Luis Garicano, and Klaus Masuch prompts further reflection on how much ground remains to be covered in aspiring to emulate their exemplary scholarly standards. John H. Cochrane’s book confronts a question of considerable consequence for Europe’s future: can the euro truly endure in its present form? In my review for the LSE Review of Books, I sought to convey the full complexity of this challenge, which I regard as central for economists, policymakers, and scholars of European integration. Princeton University Press: https://press.princeton.edu/.../9780691271606/crisis-cycle Princeton University Press edition on Amazon: https://www.amazon.com/.../Crisis-Cycle.../dp/0691271607... Bluesky: https://bsky.app/profile/did:plc:4snhergltry4xlrwkx72uvlm Book page (Kennys): https://www.kennys.ie/.../crisis-cycle-challenges... LSE Review of Books Email Love: https://emaillove.com/email-inspiration-from-lse-review... With profound academic gratitude to all those who have supported me, I remain committed to contributing to the international debate on the economic and institutional transformations shaping our continent.

LUCIANO MAGALDI SARDELLA: RECENSIONE LETTERARIA-ACCADEMICA "LONDON SCHOOL OF ECONOMICS (LSE)" PUBBLICATA DA "PRINCETON UNIVERSITY PRESS" SOURCE: https://www.linkedin.com/pulse/luciano-magaldi-sardella-recensione-london-school-lse-sardella-ph-d--dbdse/ Sono felice di condividere una notizia che rappresenta per me un momento significativo nel mio percorso come critico di letteratura accademica per la London School of Economics (LSE): la mia recensione del volume "Crisis Cycle: Challenges, Evolution, and Future of the Euro", pubblicato da Princeton University Press, è stata inclusa tra le valutazioni citate nella pagina ufficiale del libro. Essere affiancato come critico alle opere di eccellenza mondiali come John H. Cochrane, Luis Garicano e Klaus Masuch mi fa riflettere ancora su quanta strada c'è da fare per imitare il loro virtuoso esempio. Il libro di John H. Cochrane affronta una domanda cruciale per il futuro dell’Europa: l’euro può davvero sopravvivere nella sua forma attuale? Nella mia recensione per la LSE Review of Books ho cercato di restituire la complessità di questa sfida, che considero centrale per economisti, policymaker e studiosi di integrazione europea. Princeton University Press: https://press.princeton.edu/books/hardcover/9780691271606/crisis-cycle Edizione Princeton University Press su Amazon: https://www.amazon.com/-/he/Crisis-Cycle-Challenges-Evolution-Future/dp/0691271607?dplnkId=7aec93f6-7222-4fad-ae43-f63efc4fca18 Bluesky: https://bsky.app/profile/did:plc:4snhergltry4xlrwkx72uvlm Pagina del libro (Kennys): https://www.kennys.ie/shop/crisis-cycle-challenges-evolution-and-future-of-the-euro-cochrane-john-h-9780691271606 LSE Review of Books Email Love: https://emaillove.com/email-inspiration-from-lse-review-of-books-22 Con profonda gratitudine accademica verso tutti coloro che mi hanno supportato, continuo a impegnarmi per contribuire al dibattito internazionale sulle trasformazioni economiche e istituzionali del nostro continente.

Luciano Magaldi Sardella, LSE Review of Books, “A currency in crisis — the euro’s structural fragility” SOURCE: https://medium.com/@ingnucllms/luciano-magaldi-sardella-lse-review-of-books-a-currency-in-crisis-the-euros-structural-7203469e2706 Source: https://lnkd.in/dBJpcU3n Ringraziando in anticipo: - Redattrice Ms Anna D’Anton, Managing Editor di LSE Review of Books, London School of Economics and Political Science(LSE). - Dr John H. Cochrane, Senior Fellow della Hoover Institution presso Stanford University e autore di opere fondamentali quali The Fiscal Theory of the Price Level e Asset Pricing (entrambe Princeton University Press). - Dr Luis Garicano, Professore di Politiche Pubbliche alla London School of Economics, già membro del Parlamento Europeo dal 2019 al 2022. - Dr Klaus Masuch, che ha accompagnato l’Euro dalla sua nascita, ricoprendo ruoli di primissimo piano alla Banca Centrale Europea per oltre vent’anni, dalla strategia di politica monetaria alla supervisione dei paesi dell’UE. Un onore che non dimenticherò facilmente: ho avuto il privilegio di continuare il mio ruolo come recensore di saggistica accademica per la londinese LSE, na delle più autorevoli pubblicazioni accademiche al mondo, il volume: “Crisis Cycle: Challenges, Evolution, and Future of the Euro”, pubblicato dalla “Princeton University Press” della Princeton University, Ivy League, USA. Questo capolavoro editoriale analizza l’evoluzione dell’Euro dal suo idealismo fondativo fino all’attuale fragilità istituzionalizzata, rivelando come l’unione monetaria si trovi intrappolata in un circolo vizioso di crisi e improvvisazione. Ringrazio di cuore i Professori Cochrane, Garicano e Masuch per aver scritto un’opera di tale profondità e lucidità. Recensire un lavoro simile è, prima ancora che un compito, un’opportunità intellettuale rara.

Luciano Magaldi Sardella, LSE Review of Books, “A currency in crisis — the euro’s structural fragility” SOURCE: https://medium.com/@ingnucllms/luciano-magaldi-sardella-lse-review-of-books-a-currency-in-crisis-the-euros-structural-1bb7a4c8b16a Source: https://lnkd.in/dBJpcU3n With my sincerest thanks in advance to: - Ms Anna D’Alton, Managing Editor of the LSE Review of Books, London School of Economics and Political Science. - Dr John H. Cochrane, Rose Marie and Jack Anderson Senior Fellow of the Hoover Institution at Stanford University, and author of such foundational works as The Fiscal Theory of the Price Level and Asset Pricing (both Princeton University Press). - Dr Luis Garicano, Professor of Public Policy at the London School of Economics and Political Science, and former Member of the European Parliament from 2019 to 2022. - Dr Klaus Masuch, who has accompanied the euro from its very inception, having held positions of the highest responsibility at the European Central Bank for over two decades — from the stewardship of monetary policy strategy to the oversight of EU member states. This is an honour I shall not readily forget. I have had the distinct privilege of continuing my role as academic reviewer for the LSE Review of Books — one of the most authoritative scholarly publications in the world — with the volume: “Crisis Cycle: Challenges, Evolution, and Future of the Euro,” published by Princeton University Press of Princeton University, Ivy League, USA. This quite remarkable work examines the evolution of the euro from its founding idealism to its present institutionalised fragility, laying bare how the monetary union has found itself ensnared in a self-reinforcing cycle of crisis and improvisation. It is a work of rare distinction, blending scholarly rigour with the hard-won wisdom of those who have shaped European economic policy at the very highest level. I extend my most heartfelt gratitude to Professors Cochrane, Garicano and Masuch for producing a volume of such depth, lucidity and intellectual courage. To review a work of this calibre is, before all else, an uncommon privilege.

Must watch! Buitenlandse pers die wel haar werk doet en laat zien wat er werkelijk speelt in Ceuta en in Spanje onder het socialistische bewind van @sanchezcastejon. Het geschetste beeld is zorgwekkend, niet alleen voor Spanje, voor heel Europa. Bron: https://t.co/z5mWc4Xglp https://t.co/LsE6GbCovJ #Ceuta #Europa #Spanje

Pues yo me informé en Mañaneros360, y me pareció haber oído esto hablando de la suspensión de Schengen. Javierito: “Pero esto sobre todo es un BULO, ningún país puede echar a otro de Schengen” Euprepio: “Por supuesto, lo ha dicho Borrell, los estatutos de la UE no lo permiten” https://t.co/lsEnJjgKzm #Schengen #UE #Bulos

Mir persönlich sind Noten und Abschlüsse echt egal, aber was hat sich die AfD aufgeregt über den LLM an der LSE von Annalena Baerbock und die Promotion von Robert Habeck an der Universität Hamburg. Und jetzt hat ihr Spitzenmann eine 2,4 in Duftkunde bei einer Euro-FH. Wow! #Bildung #Politik #Noten

Uuringud Bathi Ülikoolis ja LSE-s väidavad, et tuntud Dunningi–Krugeri efekt, mille kohaselt rumalad inimesed ei teadvusta oma rumalust, võib tegelikult põhineda vale statistikal, ja enesekindlad inimesed võivad olla hoopis need, kes omavad suuremat pädevust. #dunningiKrugeriEfekt #kognitiivnePsühholoogia #enesekindlus

London Stock Exchange planuje uruchomić nocną platformę handlową w pierwszej połowie 2027 roku, co uczyni ją pierwszą tradycyjną giełdą oferującą 24-godzinny handel, umożliwiającą obrót produktami takimi jak fundusze ETF, i reagując na rosnące zapotrzebowanie inwestorów na elastyczność czasową, zwłaszcza wśród inwestorów indywidualnych z Azji. #Giełda #LSE #Handel24godziny

Le Paris Saint-Germain est heureux d’annoncer la signature du premier contrat professionnel d’Adam Ayari. Le milieu de terrain offensif de 18 ans est désormais lié au club de la capitale jusqu’en juin 2029. 🗞️ https://t.co/I9UsfJ6knT https://t.co/lSebyqpaZ2 #PSG #Football #Transfert