Angelika Bazalová wrote that Igor Chaun demonstrated a filmmaker's sensitivity to the moment during his meeting with fifteen-year-old students. She described their conversation as a testament to the times and was particularly amused by the moments when the girls were unsure how to spell his surname. She reminded the students that Chaun was among the student leaders of 1989 and stated that he had directed approximately 60 documentary and feature films, written a number of screenplays, including the screenplay for the 1992 film Requiem for a Doll, and directed Czech Soda. Bazalová also criticized that someone explained to Chaun why, in his opinion, a "spy in a jet" was acceptable. She compared it to the behavior of communist officials before the Velvet Revolution, who, according to her, preached equality but considered themselves superior. She wrote that the particular spy behaved similarly and referred to himself as "the first among equals." She recalled the concerns at the time that the country would return to the past after thirty years and expressed her pity for Chaun. Finally, she noted that the girl in the background was visibly fidgeting during her classmate's speech, which, according to her, might have meant that she was having a hard time with the situation. She added that Veronika might still change her mind as she gains more sense. #dokumentárnífilm #sametovárevoluce #historie (translated)
