BETA nonprofit public democratic european moderated

Search

#Target

Iran’s cognitive warfare – when AI becomes the operating layer of state propaganda Iranian state-linked influence operators were not using artificial intelligence simply to write faster social-media posts. According to Anthropic’s September 2026 threat intelligence report, three separate operations connected to Iranian propaganda institutions were using Claude to help construct the machinery behind what the operators themselves called “soft war” and “cognitive warfare” – non-military efforts intended to shape public opinion inside Iran and abroad. Anthropic linked the activity to the Islamic Culture and Communications Organization (ICCO), which operates under Iran’s Ministry of Culture and Islamic Guidance; the Islamic Propaganda Office of Khorasan Razavi; and the Bina Cultural Observatory, part of the Islamic Propaganda Organization. The company said each operation was run by someone working within or on behalf of the named institution. The attribution was based on a combination of account telemetry, institutional references disclosed during conversations, branded documents and open-source corroboration. Anthropic subsequently removed the accounts. AI as an operational headquarters The most significant feature of the operation was the role assigned to AI. Claude was used to develop campaign plans, doctrine manuals, coded project portfolios, persona systems, target databases, early-warning protocols, amplification schedules and ministerial planning documents. Anthropic described the model as the principal administrative and operational layer supporting the three campaigns, allowing relatively small groups of operators to create organisational structures and planning material that would otherwise have required a much larger staff. This distinction matters. The reported use of AI went considerably beyond content generation. Operators were using the model to help organise how influence activity should function: which audiences to target, which identities should deliver particular narratives, how official material should be repackaged and when amplification should take place. Human operators still determined objectives and supplied the underlying political doctrine; AI helped translate those decisions into an operational system. Anthropic found that all three operations explicitly connected their activity to Jihad al-Tabyin, often translated as “explanatory jihad”, a concept used within the Iranian state system to frame information activity as both a strategic and ideological responsibility. In internal planning material examined by the company, this doctrine was not merely rhetorical: it informed manuals and campaign structures used by the operators. ‘Not the narrator, but the director’ One sentence contained in the ICCO material captures the model particularly clearly. According to Anthropic, an operator described the role of Iranian cultural attachés as being “not to be the narrator, but the director” of the narrative. The distinction reveals the logic of attribution laundering. Instead of publishing an overt state message and asking foreign audiences to believe it, the operator attempts to create the appearance that the same narrative emerged independently from journalists, activists, foreign writers or ordinary citizens. Anthropic found that Claude was used specifically to make content appear to come from foreign authors or independent media organisations and to design hashtag campaigns that looked grassroots rather than centrally organised. The ICCO operation reportedly used the organisation’s international cultural network as part of this structure. Anthropic found ministerial-level documents carrying official ICCO branding, including a nine-part international influence portfolio. This makes the operation particularly significant because the infrastructure was not limited to anonymous social-media accounts; it intersected with formal state institutions and an existing network of cultural representation abroad. A multilingual content factory A second operation was associated with the Islamic Propaganda Office of Khorasan Razavi and what Anthropic described as a “cognitive warfare command room” operating from a seminary in Mashhad. Its organisers ran a multi-province content production system known internally as Manjanegh, or “Catapult”. According to Anthropic, dozens of activists were involved in repackaging publicly available reporting from Iranian security institutions under different personas so that the material no longer appeared directly connected to those institutions. The network used Claude to transform official government intelligence bulletins into customised material in Farsi, Arabic, Urdu, Malay, Spanish and English, while planning expansion into a total of 20 languages. Distribution extended across Iranian platforms such as Eitaa, Bale and Rubika and international services including X, Instagram, Telegram, TikTok and YouTube. Anthropic also documented paid amplification across more than 100 Iranian channels, including channels associated with IRGC narratives. The scale should nevertheless be interpreted carefully. Anthropic documented production infrastructure and some real-world dissemination, but it did not demonstrate that all planned campaigns were fully deployed or that they meaningfully changed public opinion. The company placed the operation in Category Three of its Breakout Scale, indicating multi-platform activity with content observed in external distribution channels, rather than evidence of strategic impact on entire populations. From security bulletins to apparently independent voices The Bina Cultural Observatory operation provides another example of the same architecture. Anthropic linked a director-level official at Bina to activity in which Claude generated messaging in the voice of an IRGC spokesperson. During the 2026 US–Israel–Iran war, the network also attributed false claims to Western institutions including CSIS, Brookings and RAND. The apparent objective was to make Iranian state-aligned claims look as though they had been independently validated by respected foreign research organisations. That technique is more sophisticated than simply publishing propaganda under a false name. It attempts to manufacture a chain of external validation: official information is transformed into apparently independent commentary, which can then be recirculated as evidence that outside observers have reached the same conclusion. Anthropic also found target databases naming international officials and Iranian opposition figures, as well as aggressive counter-narrative material directed against the Bahá’í community. These findings show that the infrastructure was designed not only for broad messaging but also for targeted influence activity against specific groups and individuals. What AI changed The Iranian operations described by Anthropic did not create a new doctrine of influence. Iran has used cultural institutions, official media, aligned organisations and covert or semi-covert online networks for years. What AI changed was the economics and organisational capacity of that model. A relatively small team could use the system to draft doctrine, create personas, translate material, structure target databases, produce campaign calendars and generate multiple versions of the same message for different audiences. The operator remained responsible for intent, political direction and selection of targets. AI reduced the amount of human labour required to turn those decisions into a functioning influence operation. The most revealing part of the case is therefore not that an Iranian propaganda network used a chatbot. It is that AI was being treated as part of the back office of information warfare – a system for converting state doctrine into apparently decentralised, multilingual and plausibly independent voices. Sources Anthropic — Detecting and countering misuse of AI: September 2026 https://www.anthropic.com/threat-intelligence-report-september-2026 Iran International — Iran state-aligned accounts used Claude to push IRGC narratives https://www.iranintl.com/en/202609105561 BNE IntelliNews — Yemen missile cell used AI to write guidance software, Anthropic says https://new.intellinews.com/articles/yemen-missile-cell-used-ai-to-write-guidance-software-anthropic-says-467296 This is Beirut — Anthropic report details Iranian propaganda operations https://thisisbeirut.com.lb/news/politics/anthropic-report-details-iranian-propaganda-operations-and-yemen-missile-development-using-claude Anthropic report — PDF mirror https://static.foxbusiness.com/foxbusiness.com/content/uploads/2026/09/anthropic-detecting-and-countering-091026-1.pdf Keywords #DISINFORMED #Episode11 #Iran #IranianInfluence #IranianPropaganda #CognitiveWarfare #SoftWar #JihadAlTabyin #Disinformation #InformationWarfare #InfluenceOperations #ForeignInterference #FIMI #ArtificialIntelligence #AI #AIPropaganda #GenerativeAI #ClaudeAI #Anthropic #SyntheticMedia #NarrativeManipulation #NarrativeLaundering #AttributionLaundering #PersonaNetworks #Astroturfing #SocialMediaManipulation #DigitalInfluence #StatePropaganda #IslamicCultureAndCommunicationsOrganization #ICCO #IslamicPropagandaOrganization #KhorasanRazavi #IRGC #MultilingualInfluence #Targeting #Amplification #OSINT #WRLD

Countering misuse of AI: September 2026 / Anthropic

Estonia welcomes the United Kingdom’s 31 new sanctions on Russia, targeting the shadow fleet, disinformation networks, those responsible for torturing civilians, and deporting and indoctrinating Ukrainian children. Russia has not changed course. Neither should we. Pressure must #Estonia #Sanctions #Russia #EE #GB #RU #UA

This week in the European Parliament, a debate titled "Gaming the Algorithm, Targeting Democracy" took place, which I had the pleasure of co-organizing. We talked about how foreign entities use platforms to influence European political processes, including https://t.co/AeInLQH6YL (translated)

Engineers and military medics have been waiting for protected vehicles since 2018. The Ministry of Defense has now canceled the tender for 24.7 billion CZK. Just a month ago, it claimed that it was ongoing, and the explanation fit into one general sentence. Equipment for the army needs to be purchased quickly, cheaply, and efficiently. This is neither fast nor efficient, so in the end, we will have to deal with it later and at a very high cost, which is unacceptable. I will immediately submit an interpellation to Minister Zůna and we will open the topic in the Defense Committee. We will again lack the capability required in NATO Capability Targets 2025 for many years and this is unacceptable. (translated)

``` ``` (translated)

BBC 1d

In total 11 regions of the country were attacked overnight, with residential buildings and railways also targeted, the Ukrainian PM says. #UkraineWar #EnergyInfrastructure #RussianAggression

Russia launches largest attack on Ukraine energy infrastructure since spring

Moscow may have assumed it could carry out sabotage across NATO territory, commit arson, attempt to derail trains and strike targets near Polish–Ukrainian border crossings - all with impunity. Two signals should now make it reconsider: NATO’s warnings that military targets in #NATO #Moscow #Security #PL #UA #RU #NATO

Brave Israelian citizens stopped a 9/12 type terrorist attack in an Aircraft flying from Dubai to Tel Aviv. 1. the incident was an attempted jihadist terror attack targeting Israelis, the UAE and the Abraham Accords. *This was a 9/11 style terror plot, intended to harm the #Israel #Terrorism #Security #IS #AE

Kyiv and many places in Ukraine have been under non-stop drone and missile attack. Five people killed and many dozens injured. In Kyiv, energy infrastructure was the main target, but also private houses warehouses and businesses were hit. Explosions and air defense working #Ukraine #Kyiv #WarNews #UA

🇨🇳 *XI SAYS #CHINA ECONOMY HAD WITHSTOOD PRESSURE: XINHUA - BBG *XI URGES STRIVING TO FULFILL ANNUAL TARGETS AND TASKS: XINHUA *XI SAYS TO FURTHER DEEPEN REFORM, OPENING UP: XINHUA *XI: RESOLUTELY CRACK DOWN ON "TAIWAN INDEPENDENCE" *XI: TO DRIVE ECONOOMY TO PERFORM WELL *XI #中国 #经济 #改革 #CN #TW

Africa Daily Report — 30 September 2026 Major developments reported during the previous 24 hours. 1. Morocco — Fatima Ezzahra El Mansouri appointed first woman prime minister. King Mohammed VI appointed El Mansouri following the September 23 parliamentary election. Her Authenticity and Modernity Party won the largest number of seats, and she now has to form a coalition. The appointment is historic, while the next government will also inherit major economic reforms and preparations for the 2030 World Cup. Direct source: https://www.reuters.com/world/africa/moroccos-king-appoints-first-woman-pm-following-sept-23-election-2026-09-29/ 2. Ethiopia — Fighting intensifies around Tigray amid wider regional accusations. Fighting between federal and Tigrayan forces has escalated, with territorial shifts and concern that the conflict could again spread across northern Ethiopia. Ethiopian officials have accused regional rivals of supporting armed groups, while communications disruptions and displacement are complicating independent assessment and humanitarian access. The renewed conflict threatens the fragile post-2022 settlement. Direct source: https://www.aljazeera.com/news/2026/9/29/fighting-in-ethiopia-intensifies-whats-the-latest 3. Somalia/Puntland — Five tanker crew members killed in piracy incident. Puntland authorities said Somali pirates killed five crew members of the petroleum-products tanker MT Honour 25 before security forces rescued the hijacked vessel. The incident is a serious reminder that piracy remains an operational security threat off the Horn of Africa despite years of international maritime-security efforts. Importance: HIGH — maritime security and Red Sea/Indian Ocean trade routes. Direct source: https://www.reuters.com/world/africa/somali-pirates-killed-5-crew-members-hijacked-tanker-before-rescue-mission-2026-09-29/ 4. Kenya/Nigeria — Dangote advances $16 billion Lamu refinery. Dangote is moving ahead with the planned 700,000-barrel-per-day refinery at Lamu. The project is intended to reduce East Africa's dependence on imported refined fuels and could generate more than 50,000 jobs, but it faces infrastructure, environmental and land-rights challenges. A Kenyan court dispute could restrict some site activity pending an October 14 hearing. Importance: VERY HIGH — potentially transformative for East African energy supply, fuel imports, logistics and industrial development. Direct source: https://www.reuters.com/business/energy/dangote-begin-construction-16-billion-east-africa-refinery-kenya-2026-09-30/ 5. South Africa — Foreign direct investment more than doubles in Q2. South Africa's central bank reported FDI inflows of 49.8 billion rand in the second quarter, up from 20.3 billion rand in Q1. The increase is an encouraging investment signal, although it needs to be considered alongside the country's broader growth, fiscal and structural indicators. Importance: HIGH — investment flows are a key indicator for Africa's most industrialised economy. Direct source: https://www.reuters.com/world/africa/south-africas-foreign-direct-investment-inflows-pick-up-q2-2026-09-29/ 6. Ghana — Environmental regulator intensifies mining-sector enforcement. Ghana's Environmental Protection Authority issued a pre-closure notice to Chinese-owned Cardinal Namdini Mining over an alleged unreported incident and is reviewing an inspection of Gold Fields' Tarkwa operation. The regulator says it is moving from periodic inspections toward continuous monitoring and enforcement as Ghana seeks stronger environmental compliance, state revenue and local participation in its gold industry. Importance: HIGH — regulatory tightening can materially affect major international mining investors and Ghana's gold industry. Direct source: https://kfgo.com/2026/09/29/exclusive-ghanas-environmental-authority-targets-chinese-owned-cardinal-and-others-in-mining-crackdown/ 7. DR Congo — Annual audits of major miners planned from 2027. The DRC plans annual audits of major mining companies' subcontracting practices and compliance with local-content requirements beginning in 2027. The world's largest cobalt producer and Africa's leading copper producer is tightening oversight to direct more procurement and contracts toward Congolese-owned businesses. Importance: HIGH — potentially significant for global copper/cobalt supply chains and mining contractors operating in DRC. Direct source: https://ca.marketscreener.com/news/congo-to-audit-major-miners-annually-from-2027-as-part-of-local-content-drive-regulator-says-ce785adddc81f221 8. Tunisia/Mediterranean — Migrant shipwreck leaves at least two dead. Sea-Watch said it rescued 28 people after a shipwreck off Tunisia and recovered two bodies, including a child. Survivors reported at least six people missing, including three children. More than 1,970 people have died or gone missing attempting Mediterranean crossings in 2026, according to Sea-Watch, even as arrivals in Italy have fallen sharply from 2025. Importance: HIGH — migration, humanitarian protection and EU–North Africa policy remain closely linked. Direct source: https://www.straitstimes.com/world/europe/migrant-shipwreck-off-tunisia-leaves-at-least-two-dead-six-reported-missing 9. Guinea-Bissau — Ousted president plans return ahead of December election. Former president Umaro Sissoco Embalo, removed in the November 2025 coup, plans to return on October 4 and seek the presidency in elections scheduled for December 6, according to a source cited by Reuters. A recently approved constitutional residency requirement could become relevant to his eligibility. The military-led authorities have reportedly said he is welcome to return. Direct source: https://kfgo.com/2026/09/29/ousted-guinea-bissau-leader-to-run-in-december-election-source-says/ 10. Sudan — Currency collapse brings fuel queues back to Khartoum. Long fuel queues have returned in Khartoum and several other areas as the Sudanese pound reportedly weakened beyond 8,000 to the US dollar on the parallel market. The currency deterioration is adding to transport and commodity pressures in an economy already devastated by war and disrupted production and trade. Importance: VERY HIGH — the currency/fuel shock compounds Sudan's humanitarian and economic crisis. Direct source: https://sudantribune.com/article/319408 #TopNewsOfAfrica #Africa #AfricaNews #AfricaDaily #Morocco #FatimaEzzahraElMansouri #WomenInLeadership #FirstWomanPrimeMinister #MoroccanPolitics #NorthAfrica #Kenya #Nigeria #Dangote #LamuRefinery #EastAfrica #EnergySecurity #RefineryProject #IndustrialDevelopment #Infrastructure #Investment #Somalia #Puntland #Piracy #MaritimeSecurity #HornOfAfrica #ShippingSecurity #IndianOcean #RedSea #AfricanEconomy #AfricanSecurity #Geopolitics #wrldorg

🇺🇲 #OpenAI Targets $30 Billion in Funding at $1.4 Trillion Value - Bloomberg https://t.co/ze4DsjBoP7 #OpenAI #Finanzierung #Technologie #US

BBC 2d

Two homes belonging to the al-Tubasi family were set on fire and Israeli security forces were also targeted by settlers. #WestBank #SettlerViolence #HumanRights

Israeli settlers attack West Bank village and block Palestinian family's return home

ATENÇÃO: Brasil e Europa iniciam estudos para interligação entre Pix e o TARGET Instant Payment Settlement (TIPS), abrindo caminho para a criação de um sistema global de pagamentos instantâneos. Também será avaliada integração com o sistema de pagamentos instantâneos da Índia (UPI). #PagamentosInstantâneos #Fintech #Tecnologia

Russia continues to target civilians and civilian infrastructure in Ukraine in complete disregard of international law. Yesterday's attack against the National Academy of Sciences in Kyiv is a horrific example of Russia's targeting of Ukrainian culture. Our answer is more support #StandWithUkraine #StopTheWar #DefendCulture #RU #UA

Mitico Magazine - The Teatro Edicola of San Severo: A Model of Cultural Revolution for Stanford University as Well Source: https://www.miticomagazine.com/territorio-e-sociale/teatro-edicola-di-san-severo-un-modello-di-rivoluzione-culturale-anche-per-la-stanford-university/ The Teatro Edicola in Via Tondi In San Severo, a singular metamorphosis has taken place: a newsstand abandoned for at least six years has found a new function and a new identity, transforming into one of the smallest and most unusual theatre stages in the world. An experiment born in the heart of the town which, in just a few months, has moved beyond local boundaries, attracting attention even overseas. It is called Teatro Edicola and it is a project conceived by the company Foyer '97, artistically directed by Francesco Gravino, which has brought the old newsstand in Via Tondi back to life through a formula that is both essential and surprising. Foyer '97 Foyer '97 APS was established as a formally constituted association active in the cultural sector in San Severo in 1997, born from the vocation of a group of actors, directors and theatre enthusiasts, with the aim of building a "living" and accessible theatre in the town. Over the years the company has developed a repertoire that includes texts from the classical tradition, contemporary dramaturgy, comedy and experimental projects, not limiting itself to the mere production of theatre shows, but also organising theatre courses and workshops and educational and cultural projects characterised by a strong inclusive ethos, particularly in schools. Foyer '97 does not always have a fixed artistic ensemble, but works with different performers and collaborators depending on the project; the only indispensable presence is that of Francesco Guido Gravino himself, actor, director and artistic director of the theatre company. The distinctive feature of Foyer '97 is certainly the value of social and cultural promotion attributed to theatre, the extremely close relationship with the audience and the search for a type of theatre outside conventional spaces, with cemeteries, trains, bell towers, and now a newsstand, as its backdrop. Six spectators, a few minutes and a minimal distance between stage and audience The project was launched on 27 March 2026, on the occasion of World Theatre Day, offering a theatrical experience built around a radical reduction of the conventional spaces and times of performance. The idea was born not only from the search for unconventional spaces, but also from "Edicola Fiore", the morning press review with a strongly ironic tone presented by Rosario Fiorello and Stefano Meloccaro, which was broadcast first only on Fiorello's social channels between 2011 and 2014, and then also on radio and television between 2016 and 2018. The review took its name from the diminutive of its founder, Fiore, and from the newsstand of a friend of Fiorello's in Via Flaminia Nuova in Rome, where the showman would meet early in the morning with a group of friends to read the newspapers. The San Severo newsstand was granted free of charge by its owner Pino Frau to the theatre group which, after obtaining temporary authorisation and institutional support from the Municipality of San Severo, refurbished it within two weeks at a cost of less than €3,000. Just six seats, a total surface area of 4 sq m, of which only 2 are for the stage area, less than a metre between actors and audience, a curtain, a lectern, two lights, performances lasting between 5 and 15 minutes, audience rotation every quarter of an hour: apparently minimal elements that end up subverting the usual relationship between stage and auditorium. Spectators, in fact, find themselves immersed in the stage action, in such proximity to the actors that every gesture, expression and word becomes immediately perceptible. In this way, theatre abandons its traditional spaces and insinuates itself into the everyday life of the street, becoming an intimate, concentrated and almost participatory experience. During the inaugural period admission was free with a subsequent voluntary donation from spectators; in the event of a more stable and longer-term concession, which could lead to seasonal theatre performances, the proposed ticket price would be €5. Audiences reward the experiment Foyer '97's gamble met with public interest right from the start: over 60 people attended the shows in a single afternoon, while the three days that inaugurated the season sold out. From a singular local experiment, the Teatro Edicola thus began to arouse curiosity even outside the province of Foggia, gradually transforming into a case of cultural and social interest, until it reached the American continent. From the province of Foggia to the "Stanford Social Innovation Review" The San Severo experience has now come under the international spotlight: in September 2026, the Stanford Social Innovation Review, an international journal and platform dedicated to social innovation published by the Stanford Center on Philanthropy and Civil Society at Stanford University in California, published on its website and in the Fall 2026 print edition the reportage "The Six-Seat Revolution", written by Dr Luciano Magaldi Sardella, independent journalist and researcher affiliated with the European Open University, and editorially supervised by deputy editor David V. Johnson. In the article, it is argued that the Teatro Edicola attracted attention overseas because the project concentrates cultural innovation, urban regeneration and proximity theatre into just a few square metres: starting from a real urban problem, it recovers an abandoned place with a modest investment, brings performance directly into public space and experiments with a much closer relationship between actors and spectators. From the point of view of theatrical representation, it also highlights how the format, based on micro-stories of five to twelve minutes, taken from great classics such as Goldoni, Chekhov, Ibsen, Euripides and Benni, and on audience rotation every fifteen minutes, transforms the physical limitations of the space into a precise dramaturgical choice, proving to be extremely innovative. All of this makes it possible to address some of the main critical issues in the sector: falling audience numbers, an exclusively elderly audience, reduced resources and distance from traditional cultural venues. The journal also highlights, however, the potential problems: economic sustainability, the need for stable institutional support and the difficulty of replicating the model, which is closely linked to the community and territory of San Severo. A model looking beyond San Severo Despite the difficulties, initial requests for information have already arrived from Lucca and Rome, where there is curiosity about the possibility of getting to know the model more closely and the steps needed to replicate it. The replicability formula, in fact, does not seem to require particularly costly infrastructure: an unused space, a targeted intervention, a cultural idea, in-depth knowledge of the surrounding area and a willingness to return that place to the community can be enough to trigger a new urban function. It is precisely in the disproportion between the modesty of the resources employed and the resonance generated by the initiative that perhaps the most original feature of the Teatro Edicola lies, certainly unique of its kind; there are, however, other examples in Italy of newsstands reused for other purposes: "Edicola 518", a twentieth-century kiosk abandoned in the centre of Perugia, now dedicated to independent publishing, art and cultural production; and in Rome itself, the abandoned newsstand in Piazza Testaccio used temporarily as a stage for a show by Fabio Morgan and the Erno newsstand in the Prati district, which almost every month offers a calendar of events, exhibitions, pop-ups and collaborations with artists and creative enterprises. Small revolutions, therefore, that tell stories of the reappropriation of urban spaces, of creativity and social innovation. And which, it is hoped, will take root in order to look ever further afield.

Teatro Edicola di San Severo: un modello di rivoluzione culturale anche per la Stanford University

Mitico Magazine - The Teatro Edicola of San Severo: A Model of Cultural Revolution for Stanford University as Well Source: https://www.miticomagazine.com/territorio-e-sociale/teatro-edicola-di-san-severo-un-modello-di-rivoluzione-culturale-anche-per-la-stanford-university/ The Teatro Edicola in Via Tondi In San Severo, a singular metamorphosis has taken place: a newsstand abandoned for at least six years has found a new function and a new identity, transforming into one of the smallest and most unusual theatre stages in the world. An experiment born in the heart of the town which, in just a few months, has moved beyond local boundaries, attracting attention even overseas. It is called Teatro Edicola and it is a project conceived by the company Foyer '97, artistically directed by Francesco Gravino, which has brought the old newsstand in Via Tondi back to life through a formula that is both essential and surprising. Foyer '97 Foyer '97 APS was established as a formally constituted association active in the cultural sector in San Severo in 1997, born from the vocation of a group of actors, directors and theatre enthusiasts, with the aim of building a "living" and accessible theatre in the town. Over the years the company has developed a repertoire that includes texts from the classical tradition, contemporary dramaturgy, comedy and experimental projects, not limiting itself to the mere production of theatre shows, but also organising theatre courses and workshops and educational and cultural projects characterised by a strong inclusive ethos, particularly in schools. Foyer '97 does not always have a fixed artistic ensemble, but works with different performers and collaborators depending on the project; the only indispensable presence is that of Francesco Guido Gravino himself, actor, director and artistic director of the theatre company. The distinctive feature of Foyer '97 is certainly the value of social and cultural promotion attributed to theatre, the extremely close relationship with the audience and the search for a type of theatre outside conventional spaces, with cemeteries, trains, bell towers, and now a newsstand, as its backdrop. Six spectators, a few minutes and a minimal distance between stage and audience The project was launched on 27 March 2026, on the occasion of World Theatre Day, offering a theatrical experience built around a radical reduction of the conventional spaces and times of performance. The idea was born not only from the search for unconventional spaces, but also from "Edicola Fiore", the morning press review with a strongly ironic tone presented by Rosario Fiorello and Stefano Meloccaro, which was broadcast first only on Fiorello's social channels between 2011 and 2014, and then also on radio and television between 2016 and 2018. The review took its name from the diminutive of its founder, Fiore, and from the newsstand of a friend of Fiorello's in Via Flaminia Nuova in Rome, where the showman would meet early in the morning with a group of friends to read the newspapers. The San Severo newsstand was granted free of charge by its owner Pino Frau to the theatre group which, after obtaining temporary authorisation and institutional support from the Municipality of San Severo, refurbished it within two weeks at a cost of less than €3,000. Just six seats, a total surface area of 4 sq m, of which only 2 are for the stage area, less than a metre between actors and audience, a curtain, a lectern, two lights, performances lasting between 5 and 15 minutes, audience rotation every quarter of an hour: apparently minimal elements that end up subverting the usual relationship between stage and auditorium. Spectators, in fact, find themselves immersed in the stage action, in such proximity to the actors that every gesture, expression and word becomes immediately perceptible. In this way, theatre abandons its traditional spaces and insinuates itself into the everyday life of the street, becoming an intimate, concentrated and almost participatory experience. During the inaugural period admission was free with a subsequent voluntary donation from spectators; in the event of a more stable and longer-term concession, which could lead to seasonal theatre performances, the proposed ticket price would be €5. Audiences reward the experiment Foyer '97's gamble met with public interest right from the start: over 60 people attended the shows in a single afternoon, while the three days that inaugurated the season sold out. From a singular local experiment, the Teatro Edicola thus began to arouse curiosity even outside the province of Foggia, gradually transforming into a case of cultural and social interest, until it reached the American continent. From the province of Foggia to the "Stanford Social Innovation Review" The San Severo experience has now come under the international spotlight: in September 2026, the Stanford Social Innovation Review, an international journal and platform dedicated to social innovation published by the Stanford Center on Philanthropy and Civil Society at Stanford University in California, published on its website and in the Fall 2026 print edition the reportage "The Six-Seat Revolution", written by Dr Luciano Magaldi Sardella, independent journalist and researcher affiliated with the European Open University, and editorially supervised by deputy editor David V. Johnson. In the article, it is argued that the Teatro Edicola attracted attention overseas because the project concentrates cultural innovation, urban regeneration and proximity theatre into just a few square metres: starting from a real urban problem, it recovers an abandoned place with a modest investment, brings performance directly into public space and experiments with a much closer relationship between actors and spectators. From the point of view of theatrical representation, it also highlights how the format, based on micro-stories of five to twelve minutes, taken from great classics such as Goldoni, Chekhov, Ibsen, Euripides and Benni, and on audience rotation every fifteen minutes, transforms the physical limitations of the space into a precise dramaturgical choice, proving to be extremely innovative. All of this makes it possible to address some of the main critical issues in the sector: falling audience numbers, an exclusively elderly audience, reduced resources and distance from traditional cultural venues. The journal also highlights, however, the potential problems: economic sustainability, the need for stable institutional support and the difficulty of replicating the model, which is closely linked to the community and territory of San Severo. A model looking beyond San Severo Despite the difficulties, initial requests for information have already arrived from Lucca and Rome, where there is curiosity about the possibility of getting to know the model more closely and the steps needed to replicate it. The replicability formula, in fact, does not seem to require particularly costly infrastructure: an unused space, a targeted intervention, a cultural idea, in-depth knowledge of the surrounding area and a willingness to return that place to the community can be enough to trigger a new urban function. It is precisely in the disproportion between the modesty of the resources employed and the resonance generated by the initiative that perhaps the most original feature of the Teatro Edicola lies, certainly unique of its kind; there are, however, other examples in Italy of newsstands reused for other purposes: "Edicola 518", a twentieth-century kiosk abandoned in the centre of Perugia, now dedicated to independent publishing, art and cultural production; and in Rome itself, the abandoned newsstand in Piazza Testaccio used temporarily as a stage for a show by Fabio Morgan and the Erno newsstand in the Prati district, which almost every month offers a calendar of events, exhibitions, pop-ups and collaborations with artists and creative enterprises. Small revolutions, therefore, that tell stories of the reappropriation of urban spaces, of creativity and social innovation. And which, it is hoped, will take root in order to look ever further afield.

Teatro Edicola di San Severo: un modello di rivoluzione culturale anche per la Stanford University

Russia struck Ukraine’s National Academy of Sciences in Kyiv. “Today, science became a target for Russia,” said European Commission President Ursula von der Leyen. Europe must step up its support for Ukraine’s defence. 🇺🇦🇪🇺 #Ukraine #EU #WarCrimes #EuropeanCommission #Kyiv

BBC 2d

Two homes belonging to the al-Tubasi family were set on fire and Israeli security forces were also targeted by settlers. #WestBank #SettlerViolence #PalestinianRights

Israeli settlers attack West Bank village and block Palestinian family's return home

The “Hungarian Caligula” has now picked a new target: a right-wing female influencer @vyrag sitting in the visitors’ gallery of Parliament. He insulted her from the floor. When she answered back that she would not tolerate his lies, she was escorted out by parliamentary guards - https://t.co/MsfzMTXJ5C #HungarianPolitics #Influencer #FreedomOfSpeech #HU